A Makeup & Beauty Blog – Lipglossiping

To complete the Fall collection, Lancome will release two new nail polishes in classic red and edgy black.

The red – #22 Rouge St Honore is a classic, vixen red creme with great single-coat opacity and a high gloss finish.  The brush on these polishes is wide and allows for 3-stroke coverage, meaning that I was completely done with the red in less than 5 minutes from start to finish (not allowing for drying time of course).

The black – #29 Noir is a little more unusual in that the inky base  is infused with mini, multi-coloured flecks.  Sadly, these don’t quite translate as vividly on the nail as they do in the bottle.  Also a little sheerer than the red, this one took a respectable 2 coats to achieve opacity.

See below for swatches…

Lancome’s Le Vernis in #22 Rouge Saint Honore & #29 Noir 29 are priced at £12.50 each and available at Lancome counters nationwide from 1st September 2011

Grey eyeliner, I’m a fan… grey mascara?  I knew I was gonna need some convincing…

Lancome’s Fall 2011 collection, which I’ve been previewing this week includes the popular Hypnose Drama mascara in a new shade: Gris Fatal.

They say…

In just one stroke, lash volume is magnified, customisable and offers women intenseley expressive eyes.  Hypnose Drama in Gris Fatal dresses lashes in this season’s it-shade, defining and sculpting lashes without looking hevaily “made-up”.

I’m a sucker for lashes.  Blessed with decent natural length and curl, I like my mascara to take things to the next level and always opt for the blackest of the black to tint them.  I have to say, the new shade doesn’t float my boat but it has opened my eyes (har har) to a previously untested formula!

Gris Fatal is a flat, darker than mid-toned grey that would suit anyone who finds that black mascara makes them look a bit ‘doll-i-fied’ (nice madeup word there).  Infact, my mother has stolen this from me and it looks fabulous on her.  For reference, she’s blond with sparse lashes, heavily hooded eyelids and piercing blue eyes, single-handedly – this shade has given her back an interest in cosmetics.  God help me.

So, while I won’t recommend this one for anyone who likes BIG lashes, it’s perfect for women (especially older women) who want a more natural, polished look.

And the formula?  Well, it’s lovely!  Nicely balanced, lengthening and volumising with zero clumps.  I do believe this is VexInTheCity‘s favourite mascara of all time (we were having a conflab about the merits of this vs. my newly beloved Benefit They’re Real just the other day!), so I will have to put my money where her big gob is and plump for it in black very soon!

Have you tried Lancome Hypnose Drama?  How about grey mascara – reckon you could rock it?

Lancome’s Hypnose Drama in Gris Fatal Mascara is priced at £20.50 and available at Lancome counters nationwide from 1st September 2011

* press sample

The second piece from this year’s Lancome Fall collection that I wanted to show you was the new eyeshadow palette, Les Oeillades in Blondette Fatale, featuring an array of wearable neutrals and multi-tasking eyeliner/brow shades.

This beautifully designed brown and taupe palette can be used to create a beautiful smoky eye effect.  It can also be used for subtle shading and for softer, more natural definition, you can use the metallic shades to illuminate the lids and the matte shades to define and sculpt the eye area.

Shown top left, is the dark liner/brow shade which is an ash-toned dark brown matte with a firm texture.  Next along is a mid-toned brown matte shade which leans slightly warm and can also be used for filling in fair brows.  The two bottom spaces are taken up by a pair of metallic shadows, one cool and one warm.  The bottom left works beautifully toward the inner corner to inject a hint of light without being ‘highlighter-y’.  The bronzier shade (bottom right) is nice to wear dabbed over the base in the centre of the lid.

Aaron de Mey, Lancome’s Global Make-Up Director suggests…

The eye shadow can also be used wet with a small brush on the eye area if you wish a more intense result or dry with small soft brushes to shade and sculpt, always remembering that darkness makes areas recede and lighter shades bring features ‘forward’.

The pigmentation on these is nicely build-able, with the mattes requiring a couple of swipes to achieve the payoff shown above.  The metallics are, as usual, the most strongly pigmented in the palette.  The colour-combination and texture shows this palette to be a more grown-up version of a neutral work palette.  The build-ability ensures that Les Oeillades in Blondette Fatale can be put to use in both day and night-time situations depending on the intensity required.

I tend to wear these higher-end shadows without primer and these held up very well indeed.  I’m sure using the mattes as a base increases the longevity of the shimmers successfully.  I also want to mention the little ‘tools’ included with the palette which I would usually either ignore (at best) or ridicule.  The ones included with this palette are actually brilliant for travel.  A completely useable angled brush for brows, the usual application sponge (ignore that one) and a pointy, thin sponge that works brilliantly to line the eyes.  Colour me impressed.

Overall, I would describe Les Oeillades in Blondette Fatale as an incredibly versatile palette.  It may well be that you, like me, already have 101 neutrals in your collection in which case, I’d say this is great for travel thanks to the inclusion of genuinely useful brow/liners shades and tools but is otherwise a non-essential.

Lancome’s Les Oeillades in Blondette Fatale is priced at £33.00 and available at Lancome counters nationwide from 1st September 2011

* press sample

Perhaps one shouldn’t judge a collection on the sum of its smallest parts but damn, I like lipstick.  And I really like this lipstick.  Lancome’s French Touch Absolu is heavyweight, solid and beautifully designed to capture the attention of vintage-lipstick lovers everywhere.

You should take note of how small this is.  Possibly the one down-side to retaining that authentic, vintage styling.  It’s practically a stub.  A stub of beauty, but a stub nonetheless.  For the princely sum of £23.50, you get 3.7ml (not listed in grams) of product (EDIT: Rouge Deluxe has come to the rescue and confirmed that you get 3g of product, the same as a MAC lipstick – so, erm, ignore me).

It has a wonderful old-fashioned lipstick scent that evokes memories of playing with my Nan’s makeup when I was a little girl.  It’s thoroughly charming and despite the obvious absence of any value for money… my heart has been captured.

In 1945, Lancome redefined the codes of beauty by launching “Shaker”, its very first lipstick, in the ultimate shade of red.

In creating the latest French Touch Absolu, Aaron de Mey has once again drawn inspiration from Lancome’s heritage whilst adding a modern twist.  The sumptuous, creamy texture of French Touch Absolu guarantees a deliciously sensual velvet touch: a true silk cream enhanced with Pro-Xylane™ to give lips stunning contour and shape.

One swipe.  Perhaps there is a little more value for money there than I first anticipated…  The above swatch shows shade #102 Rouge St Honore, but there will be two other reds available (#100 Rouge 29 and #104 Rouge Faubourg).

Words can’t quite express how in love I am with this lipstick.  I mean, I know the collection is all about that blush, which is of course ridiculously pretty.  But I’m not just looking at it, I wanna use it and this lipstick would blow most products out of the water.  It’s creamy without being heavy, moisturising without being slippy and once blotted, it stays put for hours.  Love.

Lancome’s French Touch Absolu Lipstick in Rouge St Honoré is priced at £23.50 and available at Lancome counters nationwide from 1st September 2011

*press sample

I couldn’t keep this one under wraps any longer. I was going to save it ’til last but like a fat kid with a plate of biscuits, I’m licking the chocolate off the digestives.

With the charm of a vintage postcard, the very essence of Paris has been captured in this season’s blush palette. The silhouette of the Eiffel Tower, the typically Parisian Art Nouveau streetlamp lighting the cobbled pavement outside the historical House of Lancome at 29, rue du Faubourg Saint Honore makes this palette a true work of art.

Three soft shades combine to make up this palette which can be used either as a highlighter or a blusher depending on skin-tone. It contains a very fine golden shimmer beneath the overspray which lifts the matte formula and adds another dimension.

I personally wouldn’t recommend trying to use the shades independently of one another, they’re sheer and the small surface area would simply make that endeavour a giant pain the in backside. Instead, a fluffy brush will pick up plenty of product (it’s a touch powdery) and deposit a little more than a wash wherever desired.

As mentioned, this is sheer but build-able. Sheerer than I thought it would be so if you’re a darker skin-tone you may want to have an SA try this on you before purchasing. For fairer skins, you may have just found your ‘can’t overcook it’ blush of choice this Winter.

I’d describe the shade (all three colours combined) as a pale rose with a hint of sparkle. The above swatch was done with a finger (2 layers) and I found that the Maison Lancome blush nicely deposits luminosity aswell as colour, making this a good potential highlighter if your skin tone will allow it. It’s not at all metallic or shimmery so you don’t need to worry about it highlighting enlarged pores.

Aaron de Mey, Lancome’s Global Make-Up Director suggests…

Use as an overall cheek blush with a large, soft fluffy brush, keeping it high and central on the cheekbones. It adds soft, sheer colour and definition to the face by illuminating the cheekbones.

Maison Lancome Blush is priced at £32.50 and will be available at Lancome counters nationwide from 1st September 2011

* press sample

This Autumn sees the launch of what I can honestly say is the first seasonal collection that’s had me properly excited in a long time.  I knew Autumn wouldn’t let me down.  A beautiful neutral eye palette?  Tick.  A visually tantalising and wearable blush palette?  Tick.  A vintage-styled red lipstick?  Tick.

Be still my heart, be still.  Lancome’s 29, Saint Honoré is coming to town.

Inspired by the Femme Fatale trend of the 1930s and 40s, Aaron De Mey celebrates the flamboyant style of the urban, daring and stylish woman of this time (that’s me! – ed) in his new collection for Lancome.  A woman who uses her make-up to define, enhance, strengthen and intensify her beauty.

French Touch Absolu Lipstick £23.50
Les Oeillades Eye Palette £33
Maison Lancome Blush £32.50
Le Vernis Nail Varnish £12.50
Hypnose Drama Mascara £20.50

Chic, Parisian styling from a brand celebrating its heritage, the “29, Saint Honoré” references the address of the Lancome Institute, the brand’s historic home since its creation in 1935.

Of the Fall collection, Aaron De Mey, Lancome’s Global Make-Up Director said…

“I really wanted to create an essential make-up collection that represents the staples of a chic, sophisticated women’s make-up arsenal: red lips, brown lined, sculpted, defined eyes, groomed brows and fluffy lashes… A neutral coloured make-up with metallic hints layered over matt sculpting, defining powders.  A return to simplicity and sophistication…

It allows me to show a glamourous, graphic, sophisticated make-up style: Brown lined eyes with shades of Taupe, red painted lips and red or sparkly black nails… Very Femme Fatale.”

As much as it physically pains me to spoil the pristine surface of that blush, I wasn’t sent it to look at from a distance.  I’ll be sticking my fingers in the palettes and bringing some swatches over the next few days.

Classic, elegant and understated.  Sadly not the three words I’d use to describe myself but at least this collection might help me fake it.

Lancome 29, Saint Honoré will be available at Lancome counters nationwide from 1st September 2011.

* press sample

Estee Lauder’s Autumn 2011 collection goes by the name Modern Mercury and includes three limited edition Pure Color Liquid Eyeliners in a trio of metallic shades.

I’ve got one of the three shades here to show you: Graphite.  A sparkling charcoal with multi-coloured shimmer that makes such a lovely change from black.  I’m already a big fan of charcoal eyeliner, it provides a softer look that still carries a bit of impact.  Infact, I’m wearing my Lord & Berry in this post on another item from the Modern Mercury collection!

Long-handled, slender and well-designed with a flexible, soft nib for drawing precision lines, the Graphite liquid liner ticks most of the boxes.  I prefer this design to spindly brushes or chunky nibs as I find they offer the greatest compromise between control and precision.

The inky formula is well pigmented and opaque within two strokes.  It dries very quickly to a smudge-proof, water-proof finish providing a metallic gleam that manages to avoid the ‘wet-look’.

It’s all great so far huh?  Except, there is one problem… it flakes.  You’ll get to around 90% satisfaction before this bothers you but really?  It shouldn’t flake at all and it’s a bugbear for me.  It won’t stop me wearing it but it will stop me wearing it with complete confidence.  The above photo was taken about 5 hours into my day and you can see that it’s holding up pretty well but there is evidence of some flaking going on… a few specks around my eyes and a little caught in my eyelashes.

You can’t see in the above photo but the top edge of the line is no longer perfect, this is the first area to show signs of wear.  I’m being pernickity (as always) but when I’m reviewing an eyeliner that costs £19.00 – it’s only right that I am.

How about some comparisons?  I dug around in my eyeliner drawer (it’s only a little drawer, I’m not completely mad) and pulled out a few that seemed fairly close (ok, the last one is MILES off!):

1.  Barry M Metallic Liquid Eyeliner #1
2.  Chantecaille Luminous Eye Liner in Pianissimo
3.  Estee Lauder Pure Color Liquid Eyeliner in Graphite
4.  Lord & Berry Liquid Eyeliner in Slate
5.  Chantecaille Luminous Eye Liner in Allegro
6.  NARS Liquid Eyeliner in Bullitt

Most of these are now discontinued but luckily, the one that bears the closest resemblance isn’t!  Again, it’s Barry M that’s coming up to be the nearest in terms of shade duping so if you’re on a budget, check it out!

Estee Lauder Pure Color Liquid Eyeliner in Graphite (£19.00) is available on counter now and online at Estee Lauder.

Do you wear grey eyeliner?  What’s your favourite?

Deborah Lippmann’s Autumn / Fall shades have been slated for a September UK launch with sadly no word yet on whether we’ll be seeing the glorious glitters that make up the Nordstrom Anniversary set (unless, they’re re-released in a different format, I very much doubt it).

But anyway, wipe away the tears and check out these infinitely more sensible shades instead.

Stormy Weather: an edgy granite shade created in collaboration with Narciso Rodriguez
Brick House: a shimmering rust
Billionaire: a moody, dark olive green

I can’t say that any of them are really shouting my name… Billionaire looks interesting but I just wanna chuck some sparkle in there.  Brick House has the potential to be better on the nail than in the promo and Stormy Weather just does nothing for me I’m afraid.

The Deborah Lippmann Autumn shades are set to launch in the UK exclusively at House of Fraser on the 19th September priced at £14 each.

Estee Lauder’s Autumn 2011 collection goes by the name Modern Mercury and features three limited edition matte lipsticks that are perfect for bold-textured lips as the longer nights begin to draw in.

I have one of the three shades: Fuchsia Velvet (£18.50), a hot, hawt pink with violet/blue leanings.  It’s as matte as they come and with a depth of pigmentation that will beat most lipsticks into the ground.  Have a look:

please excuse the blotchy “just been threaded” eyebrow area

The texture is creamy but not too heavy on slip, I recommend a lip brush to apply (my favourite is by Lancome) such bold shades.  If you don’t like such a harsh line you can always soften it a little once it’s on there but I think this formula really benefits from being ‘worked’ into the lip a little with a good brush.

As a matte, it is a touch drying… it doesn’t suck my lips of moisture like some but it does feel a little uncomfortable after a couple of hours.  The flip-side to this is that it stays put.  Like, seriously.  I applied, blotted, applied and it saw me through an entire morning and a good amount of the afternoon.  This would make an excellent choice for evenings out or special occasions (I’m considering wearing it to Saturday’s wedding).

I thought I’d compare it to some of my other hot pinks (I like hot pinks).

1.  Estee Lauder Fuchsia Velvet
2.  Tom Ford Pure Pink
3.  Illamasqua Atomic
4.  Benefit Pillow Talk
5.  Barry M #145
6.  MUFE Rouge Artist Intense #36

If you’re on a budget, you’ll be pleased to hear that the BarryM is the closest alternative available to Estee Lauder’s Fuchsia Velvet but on my lips, the BarryM leans a little more cherry.

Estee Lauder Modern Mercury Collection is available to buy on counter and online now.

* press sample

We’ve got a bit of a mish-mash here so bear with me.  You’re looking at a selection of Paul & Joe goodies from both their Fall 2011 Manhattan collection AND a few bits from the upcoming Holiday/Christmas 2011 collection.  ‘Citing!

These five sparkly polishes are Holiday/Christmas releases (I couldn’t see the Fall polishes on the stand).  We’re looking at glitter people.  Jewel toned glitters and I have NO idea what that green is all about.  It’s reminded me to take nail wheels with me for swatching next time.  Stupid blogger.

On the left, we have the new finishing powder which will be available in SIX shades from the 5th August.  In the middle… yeah, let’s take a moment over that green again.  And over on the right are the eyeshadows and lipsticks from the Fall Manhattan Collection.

Moving on…

I got a bit hung up on the polishes…  “Holidays are coming, holidays are coming….”

See on the shelf behind?  The palette and cardboard boxes with ribbons?   That’s Holiday… and it’s a bit special because the palette is customisable and the little boxes are for hanging on the Xmas tree!!  They contain single eyeshadows that can be bought for the refillable palette!

OK, just one last look at those polishes….

.

What do you think?  Sophisticated Fall and a Sparkly Xmas?  Sounds good to me.

Butter London’s Founding Creative Director, Nonie Creme was on a flying trip to the UK earlier in the month and I was excited to get the opportunity to see her for a chat about the upcoming Fall collection and preview the shades…

Frequently looking to the catwalks for nail inspiration, Butter London’s Autumn/Winter 2011 collection is no exception.

Nonie Creme says of her new collection:

“My inspiration was a variation on jewel tones.  Imagine taking a traditional jewel tone palette, then moving each shade about two notes to the left, this means a garnet instead of a ruby, a dirty teal instead of a sapphire and an olive or patina gold instead of a brassy or yellow tone.”

The Limited Edition shade No More Waity, Katie finds itself in the main lineup and I’m very pleased to see Knees Up (one of my enduring BL faves) put in a reappearance.  Wallis, Bluey and Toff are all-new shades for the season.

Wallis

Inspiration: In honour of the Saucy Yank who ran away with the King’s heart.
Detail: A tarnished, metallic, olive gold, as mysterious and regal as its namesake.

Bluey

Inspiration: Vintage British slang for a pornographic film.  Ah, the good ‘ol days.
Detail: A slightly metallic dark peacock blue, perfect for fashionable birds.

Toff

Inspiration: A slightly derogartory name for a member of the British upperclass.
Details: A darker, dustier, brownish variation on rose pink.  Stop to smell them.  The roses, not the toffs.

No More Waity, Katie

Inspiration: One day my prince will come, and I will wrap him around my tiny, sparkling finger.
Detail: A soft griege littered with lilac glitter for the perfect marriage of fashion and fun.

Knees Up

Inspiration: A smashing metallic red for getting smashed in.
Detail: Brit slang for a drunken party.

Butter London A/W 2011 will be available instore at Harvey Nichols and online at The Powder Rooms.  Priced £12.00

What do you think of the new collection?  Any must-haves, disappointments or “mehs”?  Stay tuned later in the week for my interview with Nonie!

The second shade that I was fortunate enough to preview from the upcoming OPI Touring America collection is this olive green number called Uh Oh Roll Down the Window.

Autumn/Fall’s OPI Touring America collection is set for release in the UK this August and sees an eclectic mixture of Summer brights and Autumnal earthy shades making the cut.

Uh Oh Roll Down the Window is an olive green creme with more than enough grey to keep it muted and work-appropriate.  The above photo shows two coats in hindsight, I should have given it a third for a perfect finish.  Wear has been solid and without issue as I’d expect from the professional nail brand.

The shade bears more than a passing resemblance to Nails Inc. Battersea Park which isn’t available to buy anymore but after receiving a few enquiries about it last year, you might be pleased to hear that you can get your hands on something similar..

O.P.I – Uh Oh Roll Down the Window will be available on our shores this August from LenaWhite.