A Makeup & Beauty Blog – Lipglossiping

Long-time readers of Lipglossiping will know that I’m a total foundation tart. One of these days, I shall snap you a picture of my foundation drawer and you’ll all think “That woman’s got one hell of a problem”.

And you’d probably be right.

You see, foundation is the one product that promises so much and often delivers so little. In fairness, I understand the many, many variables when it come to finding a perfect foundation fit and it’s one of those products where opinions suffer from a huge dose of subjectivity.

Anyway, today… I want to know about YOUR foundation loves. Tell me about the last (new) foundation you tried and loved?

Here’s mine:

The last foundation I tried and loved (prompting this post!) is Dr. Lewinns Skin Perfect Foundation*.  A great shade match, dependable medium/full-coverage, and more importantly… a velvety finish without drying my skin? That bit is kinda miraculous on my troublesome chops.  I’m on day 5 of wearing it and admittedly, my skin isn’t too dry at the moment… I shall keep testing and see if this novelty wears off, full review soon.

So, do you flit from base to base or are you resolutely faithful to your one true love?

* press sample

Makeup.  You can’t deny that it’s pretty damn tactile.  And shiny, let’s not forget shinyyyyyy.

I think that all makeup lovers out there have a certain magpie quality to their personalities.  I mean, we don’t go around destroying other people’s eyeshadows (did you know magpies destroy other bird’s eggs? stupid magpies) but there is something fairly irresistible about small, alluring objects.  The shinier the better.  Did I mention shiny?

Of course, brands positively count on this element to our personalities and play us for all they’re worth.  Have you seen YSL’s latest collector offering?  NO?  Oh, you must!

YSL have released a while-stocks-last collector edition of their iconic complexion highlighter* that has been inspired by the crystal bead-covered Haute Couture “Edition Soir” evening gown designed by Mr. Yves Saint Laurent himself in the 1960s.

It sort-of looks as though it’s been attacked with a bottle of topcoat and a nail dotting tool but the website blurb assures me that I am wrong, as it has infact been delicately engraved and embossed with a sparkling shower of light like an exquisitely embroidered dress.

Oh, alright then.

Whatevs.  It’s small, gold, kinda spangly, and a limited edition.  I’d swoop into your nest and steal it.

The YSL Touche Eclat Collector Edition is available to buy on counter, instore at Boots and online from yslbeauty.co.uk priced at £25.00 and available for a limited time.

Are you a makeup magpie?

* press sample

I’m engaged in a bit of a tempestuous relationship with Clinique’s new CC Cream*.  A turbulent love affair that swings from “YOU DO NOTHING FOR ME!”, to “HOW DID I EVER LIVE WITHOUT YOU?”  Unforunately for you dear reader, this may make for a somewhat confused review that I’m hoping will unravel itself by the end of the post, leaving me standing firmly on one side (or the other) of the fence.

First up, CC Creams… why would you need one?

Marketed as the industry’s answer to colour-correction, you should be interested in them if you suffer from a range of tonal issues.  Nose like a lush?  Hyperpigmentation like an ageing banana?  The CC Cream, in theory, should help to brighten, reduce dark spots, take out redness, reduce sallowness and act as your one-stop solution to anything that removes you from the “normal” range for skintones.  Of course, that’s not actually going to happen, not in the biblical sense at least… we’ve been around the block long enough to reduce our expectations somewhat when it comes to these kind of claims.

But still, it’s an interesting theory… particularly when you’re not expected to use these CC Creams as a stand-alone base product.  The CC Cream should be considered a primer, something that will prep your skintone in advance of your usual base product.  Except, that’s not actually the case here.  Bucking the trend, Clinique have released a CC Cream that contains enough pigment to actually act as your base product… oh, ok then.

Forming part of their established Moisture Surge range, the Clinique CC Cream promises to deliver oil-free hydration, colour-correction, and sun protection.  It comes in a total of six shades ranging from Very Light to Deep and contains a summer-appropriate broad spectrum SPF30.  For your money, you get a fairly generous 40ml of product… though priced at £28, it sits at the higher end of Clinique’s pricing for their base products – has anyone else noticed their recent price jumps?

Application is a little tedious and best achieved (in my opinion) with clean fingers, a little at a time, working the product into the areas of the skin that need “correcting” before blending toward the edges of the face.  The thick texture requires you pay attention to ensure that your blending skills are up to par, I’m assuming that this is a side-effect of a higher SPF protection.  That being said, it’s a product that will happily accept a few layers over the areas that require a little more help.

The shade Very Light is well-suited to my skintone despite it looking somewhat peachy when initially dispensed from the tube.  I would say that instead of brightening my complexion, it actually dulls it a little.  It’s not a disaster, because I’m handy with a bit of highlighter… but still, it seems to take away radiance rather than inject it.

So how does its colour-correcting capabilities perform?  Well, it certainly does “something” but I’m not convinced that it achieves it in a different way to any other light-coverage base product on the market.  In other words, I wouldn’t bat an eyelid if Clinique had called it something other than a CC Cream.  You know, maybe something breakthrough like “tinted moisturiser”… but as much as this irritates me, I can’t dismiss the product because it does fit in perfectly with my preferred summer makeup routine.

Even though it delivers too much blanket coverage for me to value it as anything other than yet-another-tinted-moisturiser-masquerading-as-something-new, my dehydrated skin bloody loves it.

Once applied, the gluey texture diminishes and leaves behind a velvety finish that feels comfortable on the skin without encouraging too much shine across my t-zone.  The level of sun protection means that I don’t feel too guilty about forgetting to apply a separate SPF underneath, particularly when I’m finishing off my base routine with a dusting of (SPF-rated) mineral foundation to achieve a more complete level of coverage.

So, there you go.  I feel like I’m fence-sitting a little, despite my best intentions not to.  Incase you’re under any misconception, I’m calling bullshit on the CC Cream status because I’m not seeing anything that I wouldn’t get from a standard (good) tinted moisturiser.  The areas of my face that aren’t affected by diffused redness are displaying the same colour-correction as my red bits… it just doesn’t feel like they’re being cleverly targeted in a specific manner.

That being said, I like the product.  Go and get a sample from your nearest counter and try it on your face before deciding if it’s the kind of product that would fit in with your daily routine.  Certainly don’t judge it on a back-of-the-hand swatch like I did when it was first released, once applied to the face it’s a completely different animal and very kind to those of us with complicated moisture-concerns.

Clinique’s Moisture Surge CC Cream is priced at £28 for 40ml and available on counter and online from clinique.co.uk and johnlewis.com

* press sample

Wotcha, I just thought I’d post a little update to apologise for my lack of… err… updates.  You see, to put it plainly, I’ve lost my blogging mojo in a big way.  So majorly infact, that I didn’t really want to voice it aloud out of fear of cementing it in my psyche as a “thing”.  In 4+ years of beauty blogging, I’ve only ever lost my blogging motivation in the most superficial of ways but this time it feels more emotional and backed with the full force of a little resentment.  I’ve always been a great believer in not forcing things and sometimes you just need to take a step back for a while, I can’t even remember the number of times I’ve said that to other bloggers who have found themselves drifting aimlessly and posting for the sake of it.

The problem is, I’m actually a bit too scared to take my own advice.  It’s not as if I have a thrilling social life once Leila has gone to bed, sure I’m kinda tempted to get back into the CSI franchise that made my pregnancy 100x more enjoyable (“Oh, I think the morning sickness is back, leave me alone with Greg Sanders K?”) and I haven’t watched an uninterrupted episode of Eastenders since 2011!  But where will all those unwritten posts go?  Not the reviews as such, but the random observations that creep into my head at 2am when I should be sleeping.  Has a lapsed-blogger ever exploded from not having somewhere to put these things?

Anyway, while I work through my “ishoos”, I’ll share yesterday’s FOTD.  You might be a little surprised to know that I’ve rediscovered a bit of love for nude lips.  I often look to the queen of nude lips (a.k.a Holly) for inspiration and remember my first nude lip love which was an old YSL Rouge Pur Transparent (we’re talking 10+ years ago).

This isn’t my old old favourite but it is still a YSL, and one of my favourites, Rouge Volupte #1 Nude Beige.  I bought this a few years ago when the Volupte’s were causing major pants wetting across the blogosphere and unlike my dabble into #7 Lingerie Pink, this one has remained a staple for whenever I need to glam up a smoky eye.

Whilst I prefer my bold shades to be richly pigmented… for me, there’s nothing worse than a white-based nude.  Anything remotely chalky can go straight into room 101 and this one is about as opaque as I can go before I start to feel like a wannabe ganguro.  I’m excited by YSL’s latest launch of Volupte Sheer Candy lipsticks (obv. not the should-be-bloody-bold-and-nothing-else shades) and hope that I may find another nude friend (please with sparkle?) among its collection.

The rest of the FOTD was a touch warmed up by the setting sun but it involved rediscovering my MUFE Face and Body Liquid Foundation in #36 (what lovely, natural coverage), a bargainous Wet n’ Wild palette in Comfort Zone, and some eyeliner (which could have done with a lot more smudging) courtesy of Clarin’s Kohl Kajal, which was a limited edition release from last Summer.

I hate to be such a giant cliche when it comes to changing my lipstick according to the seasons but when something feels right, well… you’ve just got to go with it haven’t you?

What colours are you wearing on your lips at the moment?

GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH

GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH

GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH GUSH

Dying from pigmented, juicy lipstick love.  I wanna squeeze it’s chubbiness until it spews a slash of hot pink glory all over my lips.

Clinique Chubby Stick Intense in Plushest Punch*, priced at £16.00 and available on counter and online from www.clinique.co.uk. 

We gonna need moar than eight shades please Clinique.

* PR sample (thank god I’m not a gusher)

If ever there was a product subject to some major scrutiny on this here blog, this would be it. You see, Kiehl’s recently discontinued one of my favourite base products: their Ultra Facial Tinted Moisturizer… and this, their new Actively Correcting & Beautifying BB Cream has taken its hallowed place. I’m not entirely happy about this but I am curious to see how it compares, and ultimately, differs.

If Kiehl’s have done away with a fantastically valued tinted moisturiser – we’re talking 75ml of product for £20.50 – and replaced it with a glorified 30ml of tinted moisturiser (hyped as a BB cream), priced at £23.50 for 30ml, I’m not going to be a Kiehl’s fan for much longer am I?

Old vs New

Their old tinted moisturiser was a no-fuss product without any real skincare claims (not withstanding a less-than-substantial broad spectrum SPF15). Other than fantastic value, a naturally sheer coverage, and some thoroughly decent moisturising capabilities, it delivered nothing more. But that was all I wanted.

The new Actively Correcting & Beautifying BB Cream has far more going on beneath the surface. The most obvious of which is broad spectrum SPF50 PA+++ sun protection. Whether or not one physically applies enough product to benefit from this protection in the real world is still up for discussion but it does at least, offer it in the first place.

It’s also been formulated with a high level of Vitamin C to help boost skin radiance and fade dark spots, which combined with a moisturising base certainly does enough to qualify bullshit-free, bonafide BB Cream status.

the old Tinted Moisturiser (on the left) compared to the new BB Cream

You can see that the texture of the two base products are completely different. At this point, my faith in Kiehl’s has been restored and I’m sufficiently convinced that their new release isn’t simply an excuse to bump the price on an old favourite.

So what do I actually think of Kiehl’s new BB Cream now that I’m happy to judge it on its own merits?

It’s available in three shades: fair, light, and medium. Of the three shades, I received “light” which is sadly a little too dark for my skintone as you’ll see in the following photos.

The texture is thick and the tone is fairly neutral, it certainly doesn’t present the greyed-hues of some Asian BB Creams which should please anyone who finds they tend to look ashy on their skin. Unfortunately, if I’m wearing the “middle” shade of the three, anyone with a darker skintone will feel excluded from this launch.

Please excuse the pin curl clip!

The texture feels heavier than their tinted moisturiser and yet provides only the same level of coverage and skin-unifying. The heavier texture is something that can often be expected from a product with increased sun-protection. Nevertheless, the finish isn’t greasy or even particularly dewy, something that many combination/oily skintypes should be pleased about.

I don’t feel that the BB Cream delivers the same level of prolonged moisture to my skin as the original tinted moisturiser did, and as someone with dry skin – this has the potential to be a deal-breaker for me. To be fair to Kiehl’s, this new BB Cream isn’t marketed toward any specific oily/combo/dry skin issues and as such, I’m assuming it’s more of a one-type-suits-all product. Taking this into consideration, I’m impressed that it neither highlights nor clings to my dry patches.

One thing that I will say improves upon my beloved tinted moisturiser is the longevity of the BB Cream. I have worn it on four ocassions and each time, coverage has lasted comfortably into the evening – something my old favourite would never have been able to achieve.

Ultimately, I don’t like Kiehl’s Actively Correcting & Beautifying BB Cream as much as I liked their Ultra Facial Tinted Moisturiser, not for my specific skin concerns and not for my wallet.

However, as a BB Cream, and standing on its own merits, it performs very well and should suit most skin-types thanks to a formula that genuinely seeks to provide an effective skincare treatment alongside surface beautification.

Kiehl’s Actively Correcting & Beautifying BB Cream is priced at £23.50 for 30ml and available to buy on counter and online at www.kiehls.co.uk

* press sample

When you’ve got a good thing going, the wise among us know to keep running with it.

Which is exactly what Clinique are doing with this whole Chubby Stick thing.  First came their Chubby Sticks for Lips, consumers couldn’t get enough of the balmy formula in the convenient-to-use stumpy pencil.  However, some complained (cough) that the finish was too sheer, so Clinique created Chubby Stick Intense, and thus… I was happy.

Roll forward a few more months and the brand have taken their original idea and pimped it to the max.  Lo and behold, we have Chubby Stick Shadow Tint for Eyes*.  I’m fully expecting a chubby foundation next week.

There are currently 12 shades available and I received samples of a couple of the shades a little while ago.  Lots o’ Latte and Whopping Willow are two fairly neutral-toned cream shadows from the range but interestingly, Whopping Willow has a small amount of glitter running through the cream which is difficult to notice just by looking at the stick – a pretty and welcome addition, mostly because it’s kinda grown-up and subtle.

The twist-up crayons are easy to use and glide across the eyelids without any drag.  The colour is sheer but extremely buildable… a few swipes will build-up complete coverage over the eye.  The formula is easily blendable with just a finger, you don’t need a brush to apply these, making them perfect holiday-accompaniments or perhaps ideal for the desk drawer at work?

I had problems with both of these shades creasing on me within a couple of hours.  I suppose that such a creamy formula that applies so beautifully has to have a negative somewhere and on me, longevity is where it’s at.  This isn’t a complete disaster as I did find that a slick of primer underneath worked wonders to increase wear-time to a completely respectable seven-or-so hours.

I’ve included a swatch of both shades below, you should be able to pick out the sparkle in Whopping Willow, isn’t it pretty?  I don’t usually like greens… infact, I hate them… but this one is a little bit special.

Have you tried any of the new shades and are you a fan?

Clinique’s Chubby Sticks for Eyes are priced at £16.00 each and available to buy on counter or online at clinique.co.uk

* press sample

A big welcome to Anna from It’s A Bloggers World who is guest-posting on Lipglossiping today.  Anna is an Italian, living in Manchester.  Today, she is talking about a rather unusual-looking makeup brush and I’m sure I can feel the stirrings of a new desire already!

I am sure that every one of you, as makeup-addicts have faced, at least once, THAT question: “Are you a foundation brush or a sponge person?”

Dilemma.

I have been through all the different stages: fingers, flat brush, stippling brush, latex sponges (in every shape created), wet or dry, everything!

Then I realized it was more a matter of what effect I wanted to achieve from my foundation than finding the perfect tool; most of the time, I’ll use a stippling brush if I want to go for medium, natural coverage or I’ll choose a flat brush with the addition of a sponge if I need a full coverage “hide-those-spots-please” finish!

This is why I couldn’t help myself from buying this little jewel.  Enter the Sonia Kashuk Complexion Perfector Brush.

I had the opportunity to purchase this last summer while in Chicago as I casually found myself walking near a Target (don’t look at me like that, of course it was planned and of course I knew where the shop was before even landing in the USA!)

As you can see, it’s a dual-ended brush with an oval sponge on one side and a brush on the other.

The brush is synthetic and has a domed shape. It’s quite firm but no worries, it doesn’t scratch your skin at all, it just does the job of keeping a well-defined shape.  The sponge is oval-shaped and quite similar to the iconic sponge that Sonia Kashuk is famous for.  It can be removed to for washing, clever isn’t it?

I basically use both parts: I first apply foundation with the sponge and work it out all over my face.  Then, I use the brush for the sides of my nose, the under-eye area and any small details (see “detail” as that spot that decided to rise like a volcano on your chin without being invited).

As you can see on the instructions, it can be used the opposite way as well, using the brush first before blending all over with the sponge, but I find it easier for me to use the first way.

Sometimes, if I am lazy, I use the brush to apply my concealer as well and it works pretty good.

I didn’t have any problem when I washed it, no loose hairs or changes to the shape (doesn’t it get on your nerves when this happen? I go mad!)

It’s part of the “Kashuk tools” and costs about £15.50. Unfortunately my dear Sonia is not sold in the UK, so you have to count on ebay, an old friend that just moved to USA or that holiday that you really need…

Are you ready for a trip to the USA then?

It’s been a while since I’ve pulled MAC Speed Dial out from the lipstick drawer but there’s something so damn irresistible about pink lipsticks and Spring-time.  Looking back through my archives, I notice that I always start wearing the pinks at this time of year, and I tend to go more “nude” (har har) in the Summer-time.  I’m such a sheep for trends.

One of my favourite things about MAC Speed Dial is that it’s a beautifully clean-looking pink.  Bright without being in your face… a little cool-toned without being blue.  As is typical of most MAC lipsticks, I don’t find this to be the best formula in the world.  The cremesheen finish is slightly claggy on the lips if you build it up, feeling quite thick and heavy from the first application… staying power is good for around 2hrs, without eating.  I’m just not a massive MAC lipstick fan I guess.

Grumbles aside, the colour just makes me happy.  It brightens up an otherwise boring FOTD and goes nicely with a simple eyeliner flick and tidy brows.

What’s your favourite spring-time pink lipstick?

MAC Speed Dial is priced at £14.00 and available to buy on counter or online at www.maccosmetics.co.uk

Wanna see some pretty swatches?  OF COURSE YOU DO.

The Body Shop have updated their colour collection with an impressively inclusive range of eyeshadows.  Their new Colour Crush Eyeshadow promises intensely pigmented, pearlescent or matt eyeshadow (dependant on colour) with a silky-soft texture .

I’m a huge fan of the “old” Body Shop eyeshadow range but have always disliked their “baked” (domed) eyeshadow releases.  The brand used to do some amazing taupes in the old silver-potted range and I was rather disappointed to see that this new incarnation of colour is rather lacking in that department.  I was pretty confident that the texture would still be as tasty as it always was (and it is) but I’m gonna need to see MOAR shades before I get super-excited over this new range I’m afraid!

Anyway, let’s get on with some swatches shall we?

All of the above shadows fall into their “pearlescent” finish, and each one is pretty well-pigmented, you wouldn’t need more instant payoff from an eyeshadow.  I can’t comment on the matte range as I haven’t tried.

Golden Girl is a must-have, not only because it makes a great lid-brightener for a neutral eye regardless of your colouring, but it’s also a pretty awesome NARS Albatross dupe for those on a budget.  Multi-functional eyeshadow FTW no?

I’ve worn a few of these over the past couple of weeks and my only caveat is that you do need to wear them with a primer.  The silky-texture is very forgiving on dry/mature eyelids but without primer, they migrate into the crease quite quickly.  The flipside to this is that you’d be hard-pressed to find easier blending from a high-street eyeshadow.

The Body Shop Colour Crush Eyeshadows are priced at £7.00 each and available instore and online at www.thebodyshop.co.uk

* press sample

I received a press release yesterday announcing the upcoming launch of a new BB cream to the UK market from The Body Shop.  Vitamin E Cool BB Cream is set to hit the stands next Tuesday (26th March) and promises to deliver light coverage in a moisture-rich formula.

The BB Cream will expand upon the bestselling Vitamin E range (a range of which, I’m personally a big fan – toner anyone?) and is enriched with wheatgerm oil, one of nature’s richest sources of Vitamin E.  It can’t actually find any other skincare benefits from this one, and with no sun-protection or other anti-aging technology included… it’s not really a BB Cream is it now?  HAI TINTED MOISTURISER!

Launching 26th March – £10.00

Perhaps most interestingly, The Body Shop have dared to release this new BB Cream in only one shade, classing it as a one-shade-fits-all product.  In reality, this can only mean one thing, coverage will be extremely, extremely light.

From a personal point of view (screw you guys), I’m particularly interested in this release because, if you’re a long-term follower, you may remember that my favourite Summer foundation trick is to use a light, moisturising liquid/cream base with just a hint of colour before applying mineral powder foundation ontop to adjust my coverage level until I’m happy with the finish.

Could this be my new favourite thing?  I AM EXCITE!

Will you be trying it?

The Body Shop Vitamin E Cool BB Cream launches next week, priced at a purse-cheering £10.00, available in-store or online at www.thebodyshop.co.uk

I remember the first time I visited the Bare Escentuals store in Covent Garden. It hadn’t been open very long and at the time, I think I referred to it as “the candy shop”.  You see, for a makeup lover, there’s something about being surrounded by so many mini pots of jewel-toned pigments that makes it quite easy to lose your sense of decorum.  I emerged from the store, so completely covered in swatches, it looked like I’d had my own private Holi festival.

Obviously, pigments and powders is where it all started with Bare Escentuals and when the brand announced a range of pressed-powder products, I was excited for the convenience that this brings, but also wary that the same kind of vibrancy and pigment quality wouldn’t, nay perhaps couldn’t translate itself so well from the confines of a pressed pan.

Well, I worried needlessly.

My first experience of the new(ish) BareMinerals READY Eyeshadows comes in the form of one of their quads: A List*.  On paper, it’s got my name written all over it, I’m a sucker for a purple-toned palette.  I’d heard about the “incredible” texture of the new READY eyeshadows and I had the highest of expectations as a result.

First thing to note about this particular eyeshadow quad is indeed, the texture which is truly buttery.  You can tell that this product comes from a brand who know their way around a pigment or two because the powders are so softly textured, they feel almost creamy.  There’s a hint of roughness to the purple shade (Swanky) but you have to expect that from the glitter particles.

You’d expect a buttery-textured eyeshadow would blend with ease, and in my opinion, they do.  Infact, above all else, I’d put weight on this being their best selling-point.  It’s not always easy to blend smooth gradients from shadow to shadow, getting that perfectly refined edge to soften to the point of invisibility is a well-honed skill, and anything that makes lighter work of it is a marvel.  On this score, the BareMinerals READY Eyeshadow Quad in A List, is, a marvel.

Where I think some of these palettes could do with a little work is with their combination of colours.  I feel that A List doesn’t quite give me the eye palette that I want to work with.  The highlighting shade (Icebreaker) is very pale, very shimmery, and very…. highlighter-y.  Unfortunately, I feel that the next shade up in the quad, the pink (Fashionably Late), is also playing the same role… albeit in a more vibrant way.

For definition, I need a solid crease colour, and unless I go black, my only option is the glittery Swanky.  The jump between Fashionably Late (on the lid) and Swanky (in the crease) is quite large and on my skintone at least, the palette is not quite there in terms of shade combining.  I would have liked to have seen these pink/violet hues without both extreme ends of the spectrum (white/black) incorporated in the 4-pan palette.  Perhaps something like The Dream Sequence is closer to what I’m looking for.

I had one other, minor, issue with the palette.  In the photo below, I’ve highlighted where one of the pans is raised above the level of the palette.  It’s not quite enough to cause any problems with the closure mechanism but… and perhaps I’m being a touch fussy… it’s not something I expect from a £29 (on counter) eyeshadow palette.  It looks untidy but is hopefully a one-off.  Really not interesting in a sponge-tipped applicator when I’m paying nearly £30 either.

These grumbles aside, I really can’t fault the colour payoff and texture of the included shades.  Black Tie Optional makes a great liner close to the lashline, or smoked out at the edges to deepen and intensify the overall look.  Both Icebreaker and Fashionably Late offer something a little more frosty but both will work as highlighters, although FL is a little saturated to blend too high up the browbone.  Swanky is a really nice purple that’s blue-enough not to deliver the bruised/consumptive look, the added sparkle is a nice touch.

BareMinerals READY Eyeshadow Quad in A List is available to buy online from beautybay.com, priced at a very reasonable £23.49

* press sample

** come back later today for a FOTD with the above palette