A Makeup & Beauty Blog – Lipglossiping

Apart from the baby thing, 2014 will forever be known to me as the year of the lipstick.  We’ve been treated to some fantastic lip launches this year haven’t we?  From Estee Lauder’s dreamy Sculpting Lipsticks to Clarins’ Spring Joli Rouges that I literally wore all Summer long… just some of the great examples that I’ve enjoyed over the past nine-months.

Bringing up the rear with another extremely well-formulated lipstick launch is Clinique.  I’ve had the pleasure of trialling their new Long Last Soft Matte Lipstick which launched back in May/June kinda time – sorry for my tardiness but I was busy with that whole “baby thing” I mentioned before.

There are eight shades available in the line-up, ranging from ultra-bold oranges and reds to more demure but equally pigmented nudes.  It’s not the most comprehensive selection but this isn’t a problem for me.  Choice is great… but in all honesty, I’m a terribly indecisive person, choosing a Friday night takeaway practically tips me over the edge.  At least with this range, if I want a red… my mind has been made up for me and I don’t have to examine the ever-so-subtle nuances between ten different shades of crimson.

The packaging is sleek and sophisticated.  It’s heavy enough to feel reassuringly solid in my hands, with a part matte/part glossy exterior and some very tactile ridges.

#45 crimson – #50 beauty – #51 plum

Crimson is a bold red with strong cool undertones that give it vivacity and sparkle but its bold pigment means that you really do need a lip brush to do it justice.  There’s nothing informal about this red, wear it loud and wear it proud!  Beauty is the archetypal my-lips-but-better shade.  A shade that removes all traces of anaemia from my otherwise pasty complexion and injects life with the least amount of effort on my part.  When you don’t know which lipstick to choose in the morning, this is the one your hands would reach for.

Plum is a shade that I haven’t seen very many blogs featuring but I think it’s my favourite of the three!  It’s easily the most vivid plum-shade I own.  It leans purple enough to induce excitement without filling me with the I-can’t-wear-this fear factor.

But most importantly of all, how does the range feel and wear on the lips?

Amazingly well as it happens.  My first instinct was to be completely surprised by how the bullet glides.  There’s an expectation with long-lasting lipsticks of a drier texture, one that drags and skips during application… but not these…. they positively glide over the lips.  I wouldn’t go so far as to call them “buttery” but they’re very smooth and comfortable.

As for how the range wears, well that’s also worth getting excited about because I was able to apply in the morning and still enjoy how the colour looked mid-afternoon.  The pigment does fade after about 4-hours, but it fades evenly and cleanly, leaving a soft stain on the lips.  They’re not the lightest-feeling lipsticks in the world to wear (unlike the Estee Lauder Sculpting Lipsticks, which are frankly made from pixie pee) but neither do they feel heavy or drying on the lips.

Infact, my lips suffered no ill-effects at all from day-long wear, whether I’ll be able to say the same once Winter sets in, time will tell.

#45 crimson – #50 beauty – #51 plum

#51 Plum

Clinique Long Last Soft Matte Lipsticks are priced at £17.00 each and are available to buy on counter or online at clinique.co.uk, boots.com, and other outlets.

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Perhaps it’s the OCD in me but I do so enjoy a themed collection.  A place for everything and everything in its place and all that.  No silly shade numbers o’ randomness that don’t mean anything to anyone.  Oh no! Revlon have got it very right with their geographically-themed latest product release.

The Revlon ColorStay Moisture Stain launch features a 12-strong collection of lip colours that embrace a gel-stain hybrid texture with a moisturising formula and a high-pigment finish.  The formula has been infused with Vitamin E and Aloe, those stalwart ingredients of the hydration team, making for comfortable day-long wear that leaves your lips feeling nourished.

Each shade claims its own playful colour personality, with shades named after some of the most iconic cities around the globe: Cannes Crush, Miami Fever, Rio Rush, and Parisian Passion to name but a few.

I’ve got my hands on the Hispanic delegate of the collection: Barcelona Nights – probably best described as a berry pink with slight purple undertones.

The packaging is great, in all its chunky squared-off glory.  There’s nothing pretentious here, it’s simply solid and tactile in a spiky kind of way.  As you draw the applicator wand out of the tube, there’s a certain degree of resistance… the sort of pause that makes you worry the applicator will release from the bottle-neck with a pop, spraying you with lip stain – like a badly-behaved yoghurt pot.  Infact, I’m still not convinced that it won’t, so take care when wriggling the wand free from its constraints.

Having said that, the tight-fit ensures that your applicator isn’t drowned in lip gloop – infact, it dispenses just about the perfect amount onto the tip of the sponge.

The shade is vibrant and semi-sheer (though buildable), allowing the natural texture of your lip to show through.  Application is smooth, definitely more like a lipgloss than a liquid lipstick.  It feels a touch “plasticky” when first applied but it’s light enough in texture, thankfully, not to bother me.

I suffer from a visible “line” where product often refuses to adhere toward the inner reaches of my bottom lip… and I experienced it with this, at least… until the product had been given a few moments to fuse/melt from the warmth of my lips.  You need to allow this for a more even finish.

Most importantly, there is no stickiness.  None, or should I say nada.

Wear was fine, not because it was magnificently lingering but because as the colour faded, the stain remained.  For my personal tastes, it’s a little more glossy than I like to wear so I tend to apply, then blot.  Once.  This removes the “slippy” feeling – which is one that I can’t stand and the main reason for my lipgloss aversion – without removing the colour.

Overall, I’ve found it an easy-to-wear, easy-to-apply product… haven’t we all got room for one of those in our makeup bags?

The Revlon Colorstay Moisture Stains are due to launch next month, priced at £7.99 each and available from Boots and Superdrug

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Back in my early twenties, Anna Sui was one of the first brands to ignite my passion for make-up.  I remember my first Anna Sui lipstick clearly, a deep burgundy/wine shade that, if I’m honest, I loved more for the packaging than the colour.  You see, Anna has always known how to enchant beauty lovers with her exquisitely-presented products.  Rich colours, a theme of roses, and an eye for beautiful design captures both the heart and the wallet in an indisputable “I simply MUST HAVE IT” kind of way.

Over the years, the brand’s cosmetic “branch” has been in and out of production but each time the line has been reintroduced, a new generation of beauty geeks have fallen in love with its unrivaled femininity.

With that in mind, I’m not entirely sure that these two palettes* – currently on sale at Escentual – need much in the way of further introduction.  Look at them, they’re bloomin’ gorgeous!

The Anna Sui Eye Color Palette features ten 1.5g pans of colour that range from the glitzy to the more demure.  The shades develop in intensity as you work your way through the palette starting with a frosty white and culminating in a super-sparkly black.

The texture on most of these is quite soft, easily blendable and prone to a little dustiness when loading a brush from the palette.  The pigmentation varies across the ten pans, I’ve tried to keep the swatches below as accurate as possible in terms of colour payoff from a single swipe with a fingertip.

With a primer, the shades wear well but without a sticky base, the sheerer shades do fade quite quickly.  If I had to pick one thing, my favourite aspect of this palette is the delicate smattering of sparkle found in a few of the colours – it’s understated, grown-up glitz that remains nicely on the lid, without any fall-out when combined with the aforementioned eye primer.

Now, onto my personal favourite… the Anna Sui Lip Color Palette!

I mean, who doesn’t need ten different shades of lip colours in one portable package?

The ten shades punch well above their weight with a glossy, almost balm-like formula.  Don’t mistake these for a traditional lipstick texture, I’ve included the photo above to display the “softness” of the formula, which leans more toward a solid lipgloss texture than a liquid lipstick texture.  That last sentence makes more sense in my head than it does on the screen, sorry!

Either way, the colour applied on the lips is fully recognisable from the shade in the palette – it transfers well with the kind of opacity that you’d expect from a well-pigmented gloss and lasts easily to mid-morning.

The Anna Sui Lip & Eye Color Palettes are currently on sale at escentual.com, priced at £14 each instead of the usual £28!  At this price, they represent a true bargain.

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Do you ever make snap judgements about products only to be proven very, very wrong?  I don’t mind admitting that I do… and in this case, I got one hell of a shock when the product put me firmly in my place.

The RMK W Crayon & Gloss Lips is a new release from the Japanese beauty brand and features a duo crayon/gloss system designed to impart big colour and shine.  When it comes to lips, I don’t tend to expect much in the way of pigment from Asian brands… my past purchases have taught me that it’s all about the sheer juiciness and moisturising formulas.

Generalising much, I know… but this is just what I have come to expect.

ignore the foundation, that’s coming in a later review!

The crayon end of the wand did two things to surprise me.

First of all, it dragged… it dragged across my lips like a dog not wanting to be taken for a walk.  It feels hard, a little waxy and not what I was expecting.  To be fair, this did mean that I could achieve a great, sharp line around the edge of my lips but I wasn’t impressed.

The firm texture meant that it took a fair amount of “colouring in” before my entire lip area had been filled and I couldn’t smoosh my lips together to spread the pigment, the formula just wasn’t creamy enough.  This does mean that it is however, extremely long-lasting.

The second surprise came from the amount of pigment the crayon imparted.  We’re talking serious colour.  Bold, opaque and a little startling.  In other words, fabulous.

So there I am… crayon on, thoughts a little jumbled at this point.

Ahh, the gloss end of the equation.  I hate gloss.  You know I hate gloss, we all know that yes… Lip”gloss”iping hates gloss.

Prior to actually trying the W Crayon & Gloss Lips out in person, I did toy with the idea that I’d probably just wear the crayon alone… but once it’s applied, it needs something more.  It just looks unfinished with the crayon worn alone on the lips.

And so I dived into the gloss section of the tube, pulling out the silicone spatula-esque applicator and layering a coat of the glitter-filled semi-transparent gloop across my lips.

“Oh!”

“It looks nice!”

“Really nice!”

The truth is that I just didn’t expect it to look like the perfect combination between pigmented AND juicy.  It didn’t expect it to plump and fill my lips to the point where I found it tricky to resist snogging myself in the mirror.

The gloss is completely non-sticky (trust me, I’m a massive fusspot) and refreshingly light on the lips.  It doesn’t try to migrate or pool unattractively, waiting for me to open my mouth and share strings of globby gloss with the world.  It just sits gently across the surface, sparkling away and making the crayon underneath feel far more comfortable than it did prior to the partnership.

Transfer is a bitch, so be aware… although my teeth were unaffected, my glass and cup both took a shocking hit.  Having said that, there’s so much pigment in the product that the transfer had no impact on how it looked on my lips.

After around 45-minutes, the shine gradually dissipates and it (to my eye) looks even better.  It loses the screamy “look at me” shine but retains the juiciness, appearing much like a well-formulated creamy lipstick.  Roll forward a couple of hours and you can just start to feel a little dryness creeping through from the crayon.  As your lips press together, there’s more texture and at this point, it would be a good idea to give your pout a quick blot with tissue or reapply another layer of gloss.

It’s not completely low-maintenance but for such a bold shade, that undercoat of crayon sticks like you-know-what to the proverbial blanket, making touch-ups with the gloss a lot less hassle than re-lining your lips or dealing with an ugly ring of colour around the lip-line.

Well, there you have it.  Massive, big and completely unexpected love from me for this unassuming tube of lip colour.

RMK W Crayon & Gloss Lips in 01 Cherry Red is priced at £22 and available in 5 limited-edition, seasonal shades.  You can find them online in the UK from BeautyBay.com, LookFantastic.com and instore at Selfridges!

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I’m not the world’s biggest Spring/Summer collections fan, I have the kind of complexion that needs contrast… it needs bold colour, the kind that you’re more likely to find in collections released toward the end of the year rather than the beginning.  That being said, I’m nothing if not a total sucker for palettes with a delicate amount of sparkle to brighten and highlight.

The Suqqu Spring/Summer 2014 Collection* is is my first experience of Suqqu’s colour makeup, it’s not a brand that’s stocked within 80-miles of where I live and when it comes to flying-visits to Selfridges in London, I’ve only ever peeked with curiosity at the much-lauded brush range that the Japanese brand are famous for producing.

It’s with this in mind that I’m approaching my post by placing more emphasis on the overall impression of the products, their textures… their longevity and blendability, than I am the colours that come and go depending on seasonal releases.  I hope this is ok, I’ve included plenty of photos to show this year’s Spring Summer shades but my curiosity was mostly centred-upon trying to work out for myself whether or not the legendary SUQQU quality lives up to my inflated expectations.

The pieces I received* from the Suqqu SS14 Collection are shown in the photo above, from left to right: Smoothing Face Color, Sirakoucha EX05 Nail Polish, Mitsucha 15 Eyeshadow Quad, Usubeni EX-03 Creamy Glow Moist Lipstick, and Momoshuiro 01 Balancing Cheeks Blusher.

I’ll start by focusing on the Balancing Cheeks Blusher (£38.00) below, and will say outright that for me… it was my favourite item in the collection.

Looking at both the product in the pan, and the swatches on the back of my hand… I was sure that I’d struggle to get the colour to show up on my pale but prone-to-ruddiness cheeks.  I was wrong.  When I’m reviewing something that may end up in someone spending £38 on a blusher, you can be sure that I take my responsibility seriously… and that extends to doing something I might not ordinarily do.  I used the cheek brush that comes with the product.  Interestingly, so should you.

The textures of the blushers are incredibly soft and they kick up a lot of dust… the powder needs the touch of a whisper-light brush, and one is thankfully included in the pan.  Infact, despite owning some beautiful, and rather expensive blush brushes… the one that comes included with this duo is softer than anything else in my collection.  The colour glides on beautifully.  I ended up using the warmer and paler of the two shades in the traditional blusher “stripe” configuration before blending the slightly sparklier pink (pan on the right) into the apples of my cheeks and drawing upwards as you would use a highlighter.

Longevity is day-long.  I just can’t give any complaints about this product… except to say that it’s more money than I’ve ever spent on a blusher before and I’m just not sure I could bring myself to part with almost £40 for 4g of product.  If you could, then you should give the range a once-over on counter.

The next item under scrutiny is the Eyeshadow Quad, Mitsucha 15 (£45.00) – a warm-toned palette with an incredible luster and grown-up sparkle.  The depth of pigmentation is perfect here, no matter which shade my brush picked up… I felt that I had – as if by voodoo – managed to transfer just the right amount of product from pan to brush each and every time!  The only occasion I returned to the palette was at the end of my application just to add a little more of the gold (top left) shade to the centre of my lid after blending the crease.

Overall, the shades in Mitsucha 15 wouldn’t be my first choice but this is a personal opinion on what suits me.  The texture, quality and luminosity delivered by the palette is second-to-none.  This is grown-up stuff for those of us who aren’t willing to give up on sparkle and highlight but appreciate that our eyelids are a little too mature for the same heavy glitters or metallics that we used to favour.

The formula reminds me a little of how the Clarins eyeshadows suit my personal tastes, but with an undeniable added refinement brought about by the fact that with no primer applied, these shades didn’t move a centimetre in over 9-hours of wear.  For the perfect quad of shades, I would be willing to part with the £45.00 required to get my hot little hands on the product.

I hope you don’t mind but I’ll be covering the SUQQU polish in another post, I’d just freshly painted my nails the day before taking these swatch shots and I couldn’t give up an hours-old manicure just yet!

The Smoothing Face Color (£50.00) is an interesting concept, featuring a trio of shades that combine together to deliver a three-in-one solution to help beat complexion imperfections.  The white powder on the right contains green pearls to create a “photography reflector effect” diffusing light and blurring imperfections.  The larger, central beige powder is a finely-milled, non-pearlescent powder that helps create “smooth-looking skin without visible pores”.  Finally, the pinker shade on the left aims to correct uneven skintone and discoloration.

Ultimately, it doesn’t leave me tempted.  It’s a lovely, lightweight powder that delivers the “smoothing” finish it promises but I just couldn’t justify the price difference between this and some of my other luminosity-delivering finishing powders in my collection.  I’m already a huge fan of Guerlain’s meteorites range and Clarin’s regular releases of LE face powders (not the “blush” ones).

The final piece from the SS14 collection I’m reviewing today is the Usubeni EX-03 Creamy Glow Moist Lipstick (£27.00) with its sheer, balm-like formula.  Again, this isn’t one that would tempt me into a purchase, I simply need more pigmentation than this lipstick provides, but if you’re a fan of balms and want a polished-look from a fuss-free formula that genuinely leaves lips feeling better conditioned at the end of the day… I’d make it another one to check out on counter.

And finally, a couple of shots showing how the products look once applied.  Combined, they achieve a Spring look that is understated but fresh and luminous.

I haven’t been disappointed by my introduction to Suqqu.  The quality is evident from the first touch… not just in the sleek packaging but in the high-tech textures and long-lasting formulas.  The introduction has made me question just how much of my own cash I’d be willing to part with to pay for the kind of quality that a range like this provides… and how much more discerning I’d force myself to be when faced with the prospect of spending £50 on a face powder.

Ultimately, it’s a range that is more than worthy of the hype that surrounds it, particularly when it comes to the kind of products that would benefit from technologically-advanced, lighter textures.  Next time I’m in London, I’ll be checking out the base products.

The Suqqu Spring/Summer 2014 range is available to buy on-counter in Selfridges and online at selfridges.com

* press samples

February must be formula month, because I’m going gaga over some perfectly-created lipsticks.  Don’t get me wrong… I’m a sucker for some pretty packaging too and can be driven equally wild by a product based purely on it being the perfect shade but the perfect formula?  Well, like I said, it must be a month for it because not only did Clarins blow me away with their sheer (gerrit?) perfection earlir this month, it’s now Estee Lauder’s turn to get me all of a flutter with some incredibly-formulated, deeply-pigmented lip colours.

The new Estee Lauder Pure Color Envy Sculpting Lipsticks – launched just this month – feature a range of 20-shades that should particularly excite my fellow bold lip fans.  The collection promises to deliver saturated colour and continuous moisturisation with a formula that stays true for up to 6-hours.  Formulated with a new and exclusive Time Release Encapsulated Moisture Complex with Hyaluronic Acid, I’ve been rather impressed with the happy medium the brand have managed to capture between long-wear and comfort.

Have a little look at the two shades that I’ve got here… Tumultuous Pink and Red Ego…

First of all, the packaging is a bit of a departure from Estee Lauder’s classic heavy gold styling… these lipsticks are dressed in navy with gold accents.  The heavy-weight feel is still there but it’s a little more understated in design with that incredibly addictive magnetic closure that feels so satisfying to use.  Application is easy straight from the bullet but as with most bold shades, I prefer to tidy up the edges with a lip brush and the formula of these offers enough slip that I can achieve this easily with just a little extra product applied near the lip-line.

Talking of the formula, although creamy… it feels very light-weight for the amount of pigment it provides.  Infact, I almost want to describe them as being more like a rich gel formula, either way… you know when something just feels technologically advanced?  It’s like wearing an old skool Rouge Volupte without any of the weight or inconvenience of migration/feathering.

The swatches above show two swipes taken directly from the bullet, you can see the shine and the depth of pigment that the two shades – Tumultuous Pink and Red Ego – provide.  Upon fading, they leave a stain which makes them perfect for blotting if you’re not keen on a high-shine lipstick.  I tend to blot Red Ego once but leave Tumultuous Pink just as it applies, it’s a personal preference.

I’ve included shots below of both lipsticks worn on the lips, the pink leans a little more fuchsia on my lips than I expected from the bullet and the hand-swatch but I’d imagine that this may not be quite so apparent on a warmer skintone.  From the shade range on offer, Dominant looks to be a bluer-pink (or possibly just a little lighter) than Tumultuous Pink.  Definitely worth swatching on counter first though to get your perfect pink match!

Red Ego is simply a dream.  Shade-wise, it’s my perfect red… rich and dark with just enough of a berry hint to complement a cooler skin-tone.  It looks darker in the bullet than it does on the lips, especially when blotted, but it still retains the kind of richness that your standard pillar-box red just can’t deliver.

The Estee Lauder Pure Color Envy Sculpting Lipsticks are available to purchase on counter and online from esteelauder.co.uk now, in a range of 20-shades (+ one online exclusive), priced at £24.00 each.

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I haven’t really explored the B. range at Superdrug since its launch, to be honest… I just can’t say that any of the brand’s releases have inspired me to make the trip further-afield to a better-stocked Superdrug.  I saw a press release for their new B. Vibrant Lip & Cheek Colours, and for one moment… I thought I might well be converted by the look of these chubby lip crayons.  But was I?

Along with one of the new B. Vibrant Lip & Cheek Colours in Fandango* – a hot pink, I was sent the new B. Sculpted Contour Kit in shade Dark*.  I’ll start with the Lip & Cheek Colour first…

It’s packaged in a traditional, crayon-style format with a twist mechanism to raise and lower the waxy nib, perfect if like me, you hate having to sharpen anything!  It feels well-made and the colour glides over the lips effortlessly.

Perhaps a little too effortlessly, you see… it feels quite greasy and to achieve anything like the kind of vibrancy I was expecting, you need to layer up.  More layers = more grease.  It’s not a great combination.  I wasn’t expecting a matte formula but there’s just something about the way this feels that doesn’t appeal to me.  It’s not sticky and it’s not overly heavy, it’s just… not quite there.

Once I’ve built up the pigment to a medium-high finish (the swatch above shows about 5 swipes with the crayon), I tend to grab a tissue to blot.  That’s the only way I can enjoy wearing this shade on my lips.  To be fair, this doesn’t take down the pigment too much and possibly increases overall wear time but I just wanted something more instantly vibrant from a product that calls itself… vibrant.

As for my cheeks?  Perhaps the multi-use function of this product has something to do with why the formula feels the way it does… but you know about my distaste for sharing my lip products with my face and if I saw someone smearing their lip crayon around on their cheeks after I’d just watched them apply it to their mouth, I might be forced to spit on a tissue for them.

The B. Vibrant Lip & Cheek Colours come in five shades, ranging from a soft pink through to a rather striking mandarin.  I’ve only tried the one shade and would be interested to hear your thoughts on the others!

The other new release from the brand is a Sculpted Contour Kit that is available to buy in light, medium, and dark.  This is the “dark” shade choice.  The kit is split into two pans containing just over a total of 10g of product.

The powder, the contouring side of the pan feels finely-milled with a nice, soft texture and a good amount of pigment pay-off.  The cream highlight shade is an oddity.  When I first saw it in the pan, I angled it under the light, expecting to see some mica particles glimmer back at me.  But no, either mine is defective or it’s just a translucent white cream.  Much like a thin, theatrical greasepaint.  On my skin, it doesn’t do an awful lot other than look… greasy.

Once blended, it reminds me of putting a slightly more-refined version of vaseline on the high points of my face… there’s nothing wrong with this, women have been using vaseline as a highlighting trick for years, it just wasn’t quite what I anticipated.  It’s best applied at the end of your makeup routine, otherwise any setting powder that you apply will ruin the effect.

All in all, I’m not excited or enthused about these two releases from the budget high-street brand.  In 2014, I expect better formulas for the not unsubstantial RRP price tags of these products.

B. Vibrant Lip & Cheek Colour in Fandango is priced at £7.99 but currently a third off at £5.32 for a limited time.  B. Sculpted Contour Kit in Dark is priced at £11.99 but currently a third off at £6.99 for a limited time.  Available to buy instore at Superdrug and online at superdrug.com

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I’m not doing any Valentine’s gift guides this year because, quite frankly, I can’t even come up with a single gift for my lovely husband, let alone a heartfelt collection that you lot could choose from.

A Twitter friend suggested that I just need to look down to find his gift, I assumed that she was talking about my baby bump rather than my vagina, but either way… after 10yrs of marriage and one snotty five-year old, I don’t think either suggestion will raise more than a sarcastic eyebrow.

However, the one Valentine’s-related release that has made my blood pump a little faster is this beautiful collection of sultry reds from Illamasqua.  If you’ve been reading Lipglossiping for more than a few seconds, you’ll already know about my love affair with red lipstick.  I only own the one from Illa’s range (Sangers), so to see the ridiculously feisty Maneater in my parcel evoked a couple of mid-air heel clicks.

The new I’m The One Collection* contains a total of four passionate pieces from the British makeup line.  Including:

NEW! Intense Lipgloss in Touch (£14.50) – Infused with fine shimmer particles, this plush gloss will add depth and fullness to your lips.

NEW! Colouring Pencil in Feisty (£14.00) – A creamy addition to your lip collection, use our Feisty pencil to create a precise and alluring red lip.

Lipstick in Maneater (£16.50) – An intense, full coverage formula, apply this lipstick to bare lips for a long-lasting pop of colour.

Nail Varnish in Throb (£14.50) – Apply two coats of this glossy blood red shade for an elegant, classic manicure.

From left to right: Feisty Colouring Pencil  |  Maneater Lipstick  |  Touch Intense Lipgloss

Of all the items in the collection, I have to say that I fell in love with the least likely offering.

Feisty, the brand new lip pencil is one of the most pigmented-yet-creamy red lip-liners I’ve ever had the pleasure to use.  With a deep, long-lasting pigment… you usually have to compromise on the texture and a dry, unyielding lip pencil is something that many of us will be familiar with.  No such compromises are necessary here, it’s an absolute dream.

I’ll leave you with a couple of extremely pose-y FOTDs featuring the new Feisty Colouring Pencil and Maneater Lipstick.

If you fancy the chance at winning some hand-picked pieces from the new collection, you have until the 15th February to brush off your Social Media skillz and tweet @illamasqua a Red Lipstick Selfie, using the hashtag #ImTheOne – good luck!!

The Illamasqua I’m The One Collection is available to buy on counter and online now at illamasqua.com, priced at £50.00

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I don’t like sheer lipsticks.  I don’t like sheer lipsticks.  I don’t like sheer lipsticks.  Said the beauty blogger from 2009 until now.  In my defence though, I probably wouldn’t be that bothered about these were it not for one teeny tiny little detail that I just can’t ignore.

They give me plumpity lips, where no plumpity lips exist.

Tropical Pink (on the left) Coral Tulip (on the right)

You see, it’s the shine that does it.  Shinier than a penny that’s been sitting in Cillit Bang for a month.

It’s not a frost… don’t mistake the sophisticated glimmer for something that the 80s called for (and wanted back).  This is far more sophisticated, understated, and gorgeous than a frost-monster of a lipstick could ever be.

I’ve got two shades for swatching today and in all honesty, despite the difference in undertone… they’re not a million miles away from one other.

Tropical Pink is the cooler toned of the two and reads a little brighter on my lips, the texture is soft and easy to apply but not especially lightweight.  I suppose the best way to describe its texture would be to call it a little “balmy” in feel, with the signature fruity Clarin’s lipstick scent.

Coral Tulip is the warmer of the two shades, sheer enough to warm up my complexion without looking garish.  Surprisingly, it’s my favourite of the two and has pretty much established itself as a holy grail lip product for me over the past week.

Why?  It solves that “pulled-together, goes with every other piece of makeup you own” lipstick demand that every girl should have the solution for.  It’s low maintenance and simply perfect.

I get around 4-hours of wear from these before the inevitable fade which leaves behind a scattering of microglitter (non-gritty).  Even when the colour is gone, the impression of fullness remains and because of this… I am completely, totally and utterly smitten.

Clarins Joli Rouge Brilliant Sheer Shine Lipsticks are priced at £18 each and will be available on counter and online at clarins.co.uk next month.

* press sample

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You know the mosquito in Bugs Life?  The one who should know better and despite his mate’s warnings, flies toward the deadly bug zapper with those immortal (final) words: “I can’t help it, it’s so beautiful!”

That’s me that is.

You see, I didn’t get on with the Lime Crime Velvetines that I bought.  I appreciated their pigment, their glorious matteness, and the lovely packaging but the wear.  Oh. God, the hideously ugly wear that left me with the kind of ring of death that sends a shiver down the spines of XBox owners everywhere.

Well, I saw the pretty matte lip lacquers from MUA and flew toward them anyway.

My Superdrug was pretty low on stock and the only one I fancied (they didn’t have the red) was this hot pink, called Funk.  To all intents and purposes, these are decent dupes in terms of pigmentation and texture for the Lime Crime Velvetine ones I own… I really can’t see any reason to pay the extra monies for the Lime Crime ones.

With that revelation outta the way, I still don’t like how they wear on me.  They’re fine for about 35-40 minutes but then it all gets rather ugly.

During application, you still have to be careful not to slap your lips together until the lacquer has been given a moment to dry and I’d also recommend to apply lightly, going back for another coat if necessary.  While the lip lacquer remains in situ, I’d agree with the smudge-proof statement which makes it a great choice for a high-impact, albeit high-maintenance night out.

I’ll leave you with a (currently rather rare) FOTD of me wearing it, you can see how the matte texture looks on my lips.  It’s not too unflattering but bear in mind that my lips are back in good condition after a Lanolip repurchase!

Ultimately, I won’t be purchasing any of the other shades available despite the short-lived temptation, if you see me edging towards the MUA counter, someone please slap me with some bug spray.  I just can’t deal with the effort required to keep these looking good for longer than 10-minutes.

MUA Luxe Velvet Lip Lacquer in Funk is priced at £3.00 and available to buy instore at Superdrug and online from muacosmetics.co.uk

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They say that old age doesn’t come on its own but I’d like to add pregnancy to that adage.  I mean, apart from stating the bloody obvious, seeing as you’re growing another whole person, it really doesn’t come without its “side-effects”.  I haven’t had a proper pooh in almost five months and my skin, hair, and nails have had all moisture sucked from them, it’s like I’m spawning a human dehumidifier, set to high.

Instead of a normal moisturiser, the only thing stopping my skin from flaking off in great sheets is a twice-daily slathering of the sunburn-soothing Biafine, left on as a mask overnight.  Even then, I still have to prime with a moisturising primer before a drop of foundation can touch my skin.  As for my lips, well I’m out of Lanolips at the moment and none of my alternatives are cutting the mustard.  It’s a drastic step but until I replace my overnight lip saviour, I’ve had to stand down the lipstick army in favour of… *spit*… lipgloss.

If you’re a regular reader, you may know about my distaste for the sticky stuff but I have to concede that it does have its merits.

Aveda’s Rehydrating Lip Glaze doesn’t go down the ordinary gloss route.  Yes, it’s kinda sticky… yes, it feels a little thick on the lips at first but… with this shade at least, you get some decent bang for your buck.  This innocuous tube of colour packs one hell of a pigmented punch and keeps my lips from puckering up into a dehydrated mess.

Winterberry is a purple-toned plum with a deep, vampy hue and colour that builds quickly from the very first swipe.  You can apply and blot without losing too much pigment if, like me, you’re not a fan of how glosses/glazes feel on the lips.

Priced at £16.00, Winterberry offers a little splurge that won’t break the bank for a slightly more unusual lip colour this season and is very much in keeping with Pantone’s 2014 Colour of the Year – Radiant Orchid.  Despite the minty aroma, the plumping effect is gentle and understated (though appreciated considering the vampy lip-thinning shade).

Are you reaching for more lip-friendly offerings as the mercury plummets?

Aveda Nourish-mint Rehydrating Lip Glaze is priced at £16.00 and available on counter and online from aveda.co.uk

* press sample

Whether you’re the kind of girl who revels in a red, takes comfort in a faithful skin-toned nude, or paints the town pink… you’ll recognise the transformative power of a great lipstick.  It’s the one item in a girl’s makeup arsenal that can take a look from zero-to-hero in a second with the minimum of fuss.

However, geting down to the serious business of choosing the perfect lipstick is always a subject up for great discussion!  The choice of shade, texture, and finish can be somewhat overwhelming when confronted with a bewildering array of counters at your local beauty hall.

Japanese beauty brand Shu Uemura were responsible for one of my first high-end lipstick purchases when I fell in love with a perfect pinky-nude that paired beautifully with a smoky eye.  I relished finally finding a range that offered more than just the standardised option of slug-toned nudes, they offered true nudes for all skin-tones!

Never content with resting on their laurels the cult brand have re-launched their entire Rouge Unlimited line of lipsticks and you’re practically guaranteed to find your perfect match among the impressive 44 new shades available.  The new range incorporates some cutting-edge technology to ensure the smoothest of applications whilst delivering head-turning pigment.  The brand promise to achieve all of this without the usual compromise on comfort thanks to an active moisture-locking cream plus lip care which will help protect and nourish your lips.

The behind-the-scenes video above is not only beautifully shot but gives a good insight into the new range’s transformative ability, also… can you say cheekbones much? *swoon*.

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