A Makeup & Beauty Blog – Lipglossiping

If you follow me on Instagram, you may have seen my “look what I’VE got bitches!” photo that I put up last night.

I don’t usually show-off press samples and I’m sorry if it made you want to stab me in the face with an eyeliner (here, use mine) but the simple truth is that when you get a red lipstick with your name engraved on it, it’s quite hard to keep it to yourself, especially when your husband is getting more excited over the football than admiring your new red lipstick that has your freaking. name. on. it.

The thing is… I haven’t actually worn it. Or even put it to my lips yet. I mean, it’s beautiful, it’s pristine, did I mention that it has my name ENGRAVED on it?

What if I don’t like it? What if it gives me cat-bumhole lips? What if it’s the kind of red that makes me look like Ronald McDonald’s ugly lovechild? When something seems so utterly perfect, sometimes it’s better to just leave it alone. The disappointment would be akin to discovering that Bradley Cooper’s packing a teeny-tiny penis. Who wants to make that discovery?

Oh, who am I kidding? I give myself two-weeks before curiosity gets the better of me. I’m talking lipsticks, not Bradleys.

I picked up Kevyn Aucoin’s lustful Blood Roses on L’s recommendation early last year, almost a full 12-months ago and I’m ashamed to admit that I’m only just blogging about it now.  This happens more than I’d like, often to the point where I just throw my hands up and declare “well, there’s no point blogging about it now!”

Still, in this case, it really is better late than never… thanks to SpaceNK – you can now find Kevyn Aucoin products in the UK with much less stress than the first time I tried to get hold of this lipstick.

Kevyn Aucoin’s Blood Roses falls into that once-upon-a-time unlikely genre of an incredibly creamy vamp. Haven’t lipstick formulas improved 100-fold over the past five years? It’s nothing short of miraculous. That being said, you need a steady hand or a lip brush to achieve precision with this one.

Alternatively, you could own a pair of full lips and give the bullet a gentle smoosh around for a post-modern, ironic take on how to wear the perfect lipstick, imperfectly.  Sadly, that kind of irony is wasted on my face, it just makes me look like a bit of an unfotunate.  For this one, I’ll stick to the tried-and-tested lipstick and liner look.

With a lipstick this full-bodied, it’s probably worth mentioning that any excrutiatingly pale chicks out there will look even more wan with a layer of Blood Roses.  Not necessarily a bad thing you understand, but you may want to consider a little contour, bronzing, or all of the above if you prefer to avoid the consumptive look.  Me?  Well, I quite like it.

For such depth of colour, the formula feels light and does a stellar job at resisting the bleed without the addition of a liner.  I usually wear this in a casual setting, I don’t mind the odd touch-up or grabbing a tissue part way through the afternoon to replace my lip colour.  If I were considering this shade for an evening out, I’d probably make more of an effort to bullet-proof it for longlasting wear.

This is a lovely video about the relaunch of Blood Roses, which incidentally, was Kevyn’s favourite shade.  Is there any better reason to treat yourself to this lipstick?  I think not.

Kevyn Aucoin’s The Expert Lip Color in Blood Roses is available to buy instore at SpaceNK, and online at SpaceNK and miseBeauty.com priced from £27.00

Eternally revered as one of the world’s most precious metals, gold has been a highly sought-after commodity from the earliest of ancient civilisations right through to the modern day.  Much of its worth has been built through socially-constructed symbolism rather than via any intrinsic financial value, but the rare metal has nevertheless proven useful in some fields thanks to certain unusual properties.

Gold is extremely durable, stable, and for a metal, unusually coloured making it a perfect exhibition of wealth.  It holds a strong continuity of value over time, and looks just as beautiful when first laid in a treasure chest as it does 20, 30 or 50 years later.  It’s an element that is difficult, dangerous and laborious to mine and rarity has always held a value when it comes to the importance of status within our society.

But what about in practical use?

We regularly see gold put to good use in the field of electronics, to plate connectors and prevent oxidisation.  As a metal, it conducts electricity extremely efficiently (though interestingly, not as efficiently as silver).  In dentistry, the metal is valued for its malleable attributes which can be used to easily construct fillings, crowns, and bridges.  Its chemically stable nature, makes it a suitable, nonallergenic material which has thus far proven to cause no adverse effects on long-term health.

But what about the usefulness of gold within the beauty and skincare industry?  Let’s take a look at some products today which seek to employ the midas touch…

1). Nahbi Pure Repair Gold Essence contains 24ct nano gold and gold leaf extract which claims to help stimulate circulation, cell renewal and the removal of toxins from the skin.  Nahbi use colloidal gold (suspended in liquid) and nano-technologies to increase the likelihood of physical absorbtion.  The particles are rated at 1.5nm, which is tiny indeed when you consider that the thickness of gold leaf is rated at a rather chunky 125nm!  The full range includes masks, serum, toner, a moisturiser and a cream. priced from £25, beauchoix.co.uk

2). Jamela offer a range of gold-infused masks that combine “active gold” and plant collagen with other, more recognisable ingredients including hyaluronic acid.  The masks have been designed to contour various body parts to deliver their collagen-boosting benefits including: eyes, lips, face, and even breasts!  I particularly like the idea of wearing one of these masks overnight before throwing it in the bath with me the next morning, they dissolve in hot water to release any remaining goodness!  priced from £24,50, jamelaskincare.co.uk

3). Chantecaille are well-known for their high-end formulations so it comes as no surprise to see an entire Gold Collection from the U.S. brand.  Their Nano Gold Firming Treatment is not simply content with exploring the supposed anti-inflammatory effects of nano gold, but hedges its bets on another recent “technological breakthrough” in the form of Swiss Apple Stem Cells which claim to deliver the creme-de-la-creme of antioxidant benefits within skincare.  For all this technology, you’ll have to pay a pretty penny.  priced at £280, uk.spacenk.com

4). Focusing on exploring the links between the precious metal and its soothing, anti-inflammatory benefits.  Omorivicza’s Gold Eye Lift uses gold ferment in an attempt to repair micro-damage and strengthen the delicate skin by renewing lost elasticity and as you would expect, the Hungarian brand remain true to their spa roots with the infusion of mineral compounds and their globally famous thermal waters rich in copper, zinc, calcium and magnesium.  priced at £110, selfridges.com

5). For the “gold standard” (geddit?!) in gold-enriched skincare, look no further than Swiss brand La Prairie for their Cellular Radiance Concentrate Pure Gold which claims to diminish the appearance of lines and wrinkles and help regulate discoloration.  The gold, suspended in a colloidal gel promises to help prevent the breakdown of collagen and elastin whilst illuminating the skin with a stunning radiance. It will certainly lighten your wallet.  priced at £408, urbanretreat.co.uk

6). For something a little more tangible, not to mention… affordable, Zoya’s Gilty Pleasures trio contains an 18k real gold flake top coat which will transform all your manicures into something a little bit special.  priced at £29.60, nailcareclub.com

7). ByTerry’s Or De Rose Elixir Extreme is a rose-tinted primer which delivers instant radiance thanks to its blend of 24-carat pink gold micronized particles and light-reflecting prisms.  More of a cosmetic radiance-giver than a skincare marvel, coming from the queen of highlighting herself… that ain’t no bad thing.  The closest I’ll get to being a gold-dipped bond girl.  priced at £108, uk.spacenk.com

So, the question remains… can the benefits of gold be applied to anti-ageing theories?  Scientists and dermatologists are frankly divided on the issue and serious research is ongoing on the potential health benefits of using gold in the fight against cancer and the relief of rheumatoid arthritis.

To my mind, there appears to be a somewhat necessary leap of faith in order to believe that something so valued for its chemical inertia can also posess such life-changing, tangible benefits but there’s no doubt that this is one debate that will run and run.  Especially while it continues to give cosmetic companies such a wonderfully marketable element of luxury and privilege.

What say you? Are you interested in unleashing the power of gold on your skin, hair and nails?

Alessandro International are not a new brand, infact the German company have been around since 1989 but it’s only now, in 2013, that they’ll finally enjoy a UK launch at Professional Beauty next week.  Focusing on the professional market, the nail, hand and foot care brand are renowned for their unique Colour Code philosophy which ensures that all 99 of their shades are available across the three systems that they offer:

NAIL POLISH – For all those who love classics and make new decisions every day: non-permanent Durability up to 1 week.

LAC SENSATION – For all those who wish for long-lasting colour joy: Semi-permanent durability up to 3 weeks.

COLOUR GEL – For all those who want to be faithful to their favourite colour in the long term: Permanent durability up to 6 weeks.

I have two shades* from the range to show you…

Toffee Nut is a creamy, mid-toned nude with a well-pigmented formula that feels a little thick but spreads quickly and smoothly across the nail. The colour isn’t quite to my taste but it gives a clean, conservative look.

Berry Red is more my cup of tea, with its blue flashes and delicate shimmer.

Both polishes offer great coverage in only two coats but benefit greatly from the addition of a top coat. My nails are also suffering from a little damage right now and if you suffer from ridged nails, these will require a base coat before they’ll disguise any such thing. Drying time was very impressive, each coat was touch dry within 5 minutes.

If you want to find out more about the Alessandro International, head to stand I22 at Professional Beauty London, taking place at ExCel on 24-25 February 2013

* press sample

Please tell me that you had to read my title twice!  Childishness aside, I thought I’d share a recent purchase with you.

Just as with foundation, I love the promise of a new eyeliner.  You may have noticed that I’m not a gel liner kinda girl, which was tricky in the old days because when I first started blogging, it was ALL about the gel liner.  Oh lord how I tried to make them work for me, I bought brush after brush… slanted ones, angled ones, thin ones, push ones… and liner after liner… but for the life of me, gel liner is something I am just never going to love.

This was a frankly devastating situation because I wanted a flick.  I wanted ALL OF THE FLICKS.  And you can’t do that with kohl, well… not unless your name is Charlotte Tilbury, and I’m only halfway there with the name thing.

“What about liquid liner?” I hear you ask…

Well, up until the time I started blogging… I hadn’t even heard of gel liner.  All my friends used kohl or liquid and I couldn’t. bloody. do. liquid either could I?  The closest I could get to achieving the semblance of a straight line was with the Ruby & Millie i-writers (remember them?), but even then… I couldn’t do it consistently.

I wish I could tell you that I’m about to share the secret of the liquid eyeliner.  I’m not.  All I know is that my unevenly hooded eyelids make the task trickier than it ought to be, which explains why despite copying exactly how my peers applied their liners, my flicks would always be wonky.  All I can say is: don’t give up.  Find the tool that you feel gives you the most control (even if you aren’t quite there yet) and keep practicing.  For me, it’s always been felt-tip shaped liners.

Massive introduction over, the POP Ink Outliner Eyeliner is a pretty brilliant felt-tip shaped eyeliner which you should try if you struggle with your flicks.

Let me tell you about it…

This liquid liner is a chunky affair, built like a giant kids crayon with a stubby length and chubby girth (“girth” *beavis laugh*).  You can see that the nib is also super-sized, rendering it useless if you want super-fine lines but marvellous for those of us who want to rock a more dramatic look.  The felt tip is quite firm but soft enough to give a little flexibility at the tip without sacrificing any control.

With a light stroke, you can achieve a fine line but it does take a little patience.

I’ve only been using this for around a month, but it doesn’t show any signs of drying out.  Infact, the closure “click” is very strong and it takes a bit of effort to pull the lid off – it gives the impression that they’ve paid attention to preventing it from dehydrating too rapidly – something which can be a real problem with this kind of eyeliner.

The formula is inky black and dries quickly.  It promises to be water-resistant although I feel that it sometimes fades quicker than I’d like, especially as I’m one of those awkward people who cry when they laugh.  It doesn’t even have to be that funny.  I don’t have watery eyes at any other time, life’s a bitch.

The swatch above shows two single swipes, one using just the tip and the other, showing a firmer press at a 45 degree angle.  The beauty of this eyeliner for novice application is partially thanks to the fact that you don’t have to repeat your lines, one pass and the pigmentation has reached its full potential.  It also cleans up very nicely with the tip of a cotton bud should you make any mistakes.

POP Ink Outliner Eyeliner is priced at £10.00, and is available to buy online at www.asos.com and popbeauty.co.uk

How are your flicks?

I am quite fussy about glitter, and this one’s on my shit list. Which is quite surprising considering that I thought I’d love this and hate Gobsmacked (reviewed last week). My tastes have swapped places – what’s going on?!

So what is it that I don’t like about Fairy Cake?

Well… it’s mind-numbingly un-unique when it could have been great. Described as a “full coverage, silvery, multi-colour iridescent glitter suspended in a light grey base”, I wanted it to embrace that grey base with fervour and imprint an alternative take on a holo-explosion. And it’s just another “opaque in a couple of coats” glitter. The holo isn’t even that spectacular. It’s a bit too sandy, a bit too chunky. There’s no “edge” to it. And “edge” is precisely what I love Butter London for delivering.

Butter London Fairy Cake is available to buy online from powderrooms.com, priced at £11.95

* press sample

When I first saw swatches of this nail polish appear on the web, my nose wrinkled with disdain.

“Ugh. Lumpy.”

You see, I’m a simple girl (shut up) and I like simple nail polishes. I like shiny cremes, holos, and duochromes. And that’s it. I rarely bother with nail art, which is just aswell, because I’m not very good at it, and I just can’t be faffed with other embellishments.

I decided that, in the case of Gobsmacked, I’d probably like it with a thick coat of Gelous but that without, it could do one.  But then I applied it…

… and I really liked it.

It is lumpy, but in a way that somehow just misses setting my teeth on edge.  It applies nicely in three smooth coats and gave me no drying issues.

Which means that I probably owe a silent apology to all brands that have since followed suit with texture-based collections. I have quietly vomited in my mouth when perusing swatches of concrete, leather, and velvet.  Perhaps I’ve been wrong all along but the thing is, each time I look again…. I still want to rip my nails off in protest.

Butter London Gobsmacked is priced at £11.95 and available to buy online from www.powderrooms.com

* press sample

I took the pictures for this review before Christmas, in-case you’re wondering why my hair has changed colour again.  I’ve decided to review this now because I’m at the stage where I need to decide whether or not I’ll be repurchasing a tube, usually my reviews help me justify or dismiss potential repurchases and I’ve been umm-ing and ahh-ing ove this one!

The Laura Mercier Tinted Moisturizer has been a global phenomenon since the brand launched over 15 years ago, it’s a product that has satisfied the niche between barely-there and light coverage although personally, I’ve always viewed it as a sheer foundation rather than a tinted moisturiser.  So popular has it proven over the years, that it’s now available in four incarnations: the original tinted moisturizer, an oil-free version, an illuminating version, and most recently… a creme compact.

It promises a healthy “no makeup, makeup look”, which to be fair, is precisely what it delivers.  If you’re blessed with a reasonable complexion and don’t like the feeling of heavy foundation on your skin, you may have already fallen under this product’s spell.

I’ve always loved the fuss-free packaging that belies its £33.00 price tag.  It says nothing about luxury yet everything about practicality and this tube has certainly seen better days after being thrown around inside weekend bags, handbags, and suitcases.  There’s no pump to fail and no wide neck to dispense too much product, it just works as it should.  You can tell that this has been borne from the brain of a working makeup artist.

Laura Mercier prides herself and her brand on a flawless skin approach, and boasts that this is their speciality.  Indeed, some of the brand’s most cult products focus precisely on skin-perfecting.  Refreshing, it’s not too often that a brand can actually live up to claims like this.

I’ve already discussed the coverage, which I’d describe as that of a light foundation.  For my dry skin, the original formula works well for me… I can’t imagine really needing an extra luminosity that might be provided by the newer illuminating version of the tinted moisturiser and I’d rather not risk losing any wear time.  If you have oily skin, I’d definitely suggest checking out the oil-free version as an alternative to the original as this one certainly doesn’t mattify in any way and you may find yourself blotting fairly often.

My preferred way to apply this is either with my fingers, or if I have a little more time… a dampened sponge.  I usually break out my Beauty Blender for the job and enjoy the total control and buildability I get from this method.  You can see in the before/after below… the Nude shade is slightly too warm for my winter skintone but as this is something I tend to use in the Summer (it also contains a broad spectrum SPF20), you’ll have to trust that the tonal difference is much less noticeable once the sun has put in a few weeks appearance.

Laura Mercier’s Tinted Moisturizer lasts well enough throughout the day not to cause me any grumbles but does need setting with a translucent powder in warmer weather.  It’s a truly natural finish product with a little bit of a skin crutch for those of us with unevenness.  It won’t cover blemishes on its own, and neither is it expected to.

Active Ingredients: Avobenzone (2.0%), Octinoxate (7.5%).
Other Ingredients: Water (Aqua), Ethylhexyl Methoxycinnamate, Cetearyl Alcohol, Butyl Methoxydibenzoylmethane, Peg-40 Castor Oil, Dimethicone, Polyglyceryl-4 Isostearate, Cyclomethicone, Potassium Cetyl Phosphate, Hexyl Laurate, Emu Oil (Dromiceius Oil), Tocopheryl Acetate, Cetyl Peg/Ppg-10/1 Dimethicone, Polysorbate 60, Hydrogenated Polyisobutene, Peg-15 Cocamine, Phenoxyethanol, Sodium Dehydroacetate, Sodium Hyaluronate, Allantoin, Carbomer, Aminomethyl Propanol, Methylparaben, Magnesium Aluminum Silicate, Sodium Ascorbate, Isopropylparaben, Isobutylparaben, Butylparaben, Propylparaben. May Contain (+/-): Ci 77891 (Titanium Dioxide), Ci 77491, Ci 77492, Ci 77499 (Iron Oxides), Ci 77019 (Mica).

Laura Mercier Tinted Moisturizer is available to buy on counter or online at uk.spacenk.com and urbanretreat.co.uk

As for whether I’ll repurchase?  Honestly, it’s probably a little too early in the year to consider it and I’m so tempted by her Creme Smooth foundation that I’ll probably leave it for now.

Are you a fan of the classic Laura Mercier Tinted Moisturizer?

I’ve been having a strange relationship with the YSL Le Teint Touche Eclat foundation over the past month.  To begin with, I loved it… then the snow came, my skin became drier and this love affair turned into a horror story.  But now… it’s coming good again.  Let me start at the beginning.

I bought this online from the YSL site just before Christmas and was more excited about this purchase than almost any other throughout the year.  All the reviews I’d read had described its ability to deliver a luminous, sheer finish that dry skintypes would adore.  Most reviewers marked it down a little on lasting power, but that didn’t bother me.  All in all, I figured that I’d found my perfect foundation.

I ordered BR10 the lightest “pink” shade, untested because there seemed to be a jump between the lightest and second lightest shades, in my mind, I was erring on the side of caution.  It’s actually a little too pale for me, I should have gone for the next shade up.  It looks ok in the before/after photo at the bottom of the post but it can look a little ghostly unless I work it in to the skin carefully, it just think it has the potential to look much better tone-wise, were it a hair darker.

So what’s right with it and what’s wrong with it?

Well firstly, it’s extremely faithful to its Touch Eclat concealer counterpart.  It does indeed add only a little coverage but a lot of luminosity, it’s actually quite an unusual formula for a foundation in this regard.  It doesn’t cover redness exceptionally well, neither does it cover blemishes (although it combines beautifully with concealer).  Despite this, it delivers a very natural uniformity across the face and it’s honestly quite hard for me to put my finger on just how it achieves this.  It’s one of those foundations that anyone with a normal skintype should adore, but the further away your skin is from the “normal”, the more problems I suspect you’ll encounter.

When I first started using the YSL Le Teint Touche Eclat Foundation, my skin was dry but not problematic, I kept it well-exfoliated and well-moisturised.  As January progressed, my skin became drier still, I developed the kind of dryness that forms patches where the texture would be markedly different… not quite flaky, but heading in that direction and boy, did this foundation show it.

The particularly odd and redeeming feature about this foundation however is in its ability to adapt and melt into your skin.  Without fail, each time I applied it… things would improve after around 15 minutes.  I hypothesised that perhaps I was missing a trick and should be using the warmth from my fingers to apply it and achieve a better initial result, but no… it still grumbled terribly about my dry patches, only to look remarkably less rubbish quarter of an hour later.

So really, this foundation is still a bit of an enigma to me.  I don’t mind that it doesn’t hold up so well down the bridge of my nose as the day progresses, although I’d imagine that oilier skintypes will be exceptionally bothered by this.  And I don’t mind that it doesn’t fully cover my redness on the sides of my nose and cheeks because a touch of loose powder and/or concealer really brings the coverage up to par.

I love the luminosity that it delivers, how lightweight it feels on my skin, and the way it melts into my skintone as time progresses, almost as if it’s self-adjusting.  I really hope that I love it even more when the weather warms up but I’m concerned that my shade mismatch will be the nail in the coffin for this bottle.

If you have a fairly normal skintype and you’re looking for a foundation that is a genuine “my skin but better” affair but with more refinement and coverage than a tinted moisturiser, you should be running to your local YSL counter.  Anyone else, please beg, steal or borrow a sample before splurging.  Also, make sure you ask the SA to shade match you, there are an amazing 22 shades from which you can choose.

Ingredients: Aqua/Water, Cyclopentasiloxane, Ethylhexyl Methoxycinnamate, Clycerin, Dimethicone, Peg-10 Dimethicone, Sorbitol, Bis-PEG/PPG-14/14 Dimethicone, Dimethicone/Polyglycerin-3 Crosspolymer, Sodium Chloride, Phenoxyethanol, Caprylyl Glycol, Disteardimonium Hectorite, Disodium Stearoyl Glutamate, Ethylhexyl-Glycerin, Parfum, Aluminum Hydroxide, Ascorbyl Palmitate, Dipropylene Glycol, Isotridecyl Isononanoate, {+/- May Contain: CI 77891, CI 77492, CI 77499 / Iron Oxides, CI 77163 / Bismuth Oxychloride], (F.I.L. B50106/2)

YSL Le Teint Touche Eclat Foundation is available on counter and online, priced at £28 for 30ml

* I keep meaning to do some arm swatches of my current foundations with their shade names, just so you can see the shades I’m using at the moment… there may not be much in the way of words to accompany, but if I’ve reviewed it, I’ll link.  Sound useful?

Following on from Saturday’s “I want a perm!” declaration, I thought I’d let you know what prompted this revelation. I used a styling wand! And not just any old styling wand but one that is generally considered a bit of a posh styling wand, the Cloud Nine version.

It’s a bit of a chunky beast with a large tapered barrel and a heavy-duty, solid handle.

The wand comes complete with a protective sheath that slides over the heated barrel and protects fingers/surfaces from burns and damage when the tool isn’t in use. The Cloud Nine The Wand certainly isn’t for the faint-hearted (or weak-wristed), it quite heavy and takes a little practice to wield comfortably. I don’t mind admitting that it took not one, but two ear burns (matching) before I realised that at least one secret can be found in a simple solution: for the love of God, do not move or angle the tool once it’s cms from your skin, move the hair. MOVE THE HAIR, NOT THE TOOL. Are we clear on this? Good.

The tapered barrel allows for a good amount of volume at the root of the hair, and as you wind the hair toward the tip of the barrel, the curl will become tighter.

The controls are simple and easy to master, the wand gives you complete control over the temperature you’re using, which is great for anyone whose hair frazzles at standard settings. My fine hair generally responds pretty well at low temperatures, so for obvious reasons, I’m relieved that The Wand (like their straighteners) gives me the option to turn down the heat. If you’ve got coarse hair, by all means… crank that baby up.

The Cloud Nine wand also comes complete with a heat-resistant glove, this took away THE FEAR and ensured that I could wind each lock around the barrel right to the tip, there were no straggly straight bits for me! Plus, just having one glove in your possession is total justification for trying out any Michael Jackson impressions that you’ve been secretly stifling over the past 31 years. Not that I did any. Ow!

Cloud Nine are currently campaigning for women to be kinder to their hair by having “off” days. I have plenty of “off” days but after reading the press release, I realised that weren’t thinking along the same lines. According to Cloud Nine, you can treat your hair without compromising on style simply by rethinking your “2nd day” look. An example of this would be curling your hair on day 1, wearing the curls to their full-potential before using day 2 to be kind to your hair, leave the heated tools on the dressing table and simply wearing your hair in a half up/half down style with loose waves (the remainder of day 1’s curls) keeping you looking stylish.

It’s a bit bloody obvious isn’t it… but I get what they’re saying…

So anyway, onto my before and after… here’s my hair in all its uber flat, just washed and dried glory. Boring.

I honestly thought it would take longer to style, I kept asking Mr. L whether I’d missed a chunk at the back because it took me less than 10 minutes to curl and achieve this…

The above photo shows the curls before I’d separated them with my fingers. I was a little haphazard because I wanted to accurately reflect how I’d use the tool.

I’m not the kind of girl who has the patience to part her hair in a thousand different directions, pinning each section up and spritzing with heat defence. I’m the kind of girl who sprays half a bottle of heat defence, brushes it through, before randomly taking sections (that may or may not be completely different sizes) and curls. That’s me. I’m a crapiologist, and this still came out looking good.

So there you have it, I really like this… for one major reason. I could achieve proper curls a couple of times a week without wanting to gauge my eyes out in frustration. I’m not a hair person, I’m rarely happy with my hair but I hate fussing even more. So much so… that I’m already contemplating a one-off perm so that my hair can look like the above without me doing ANYTHING at all. Except, I know that it won’t work out like that and I’ll emerge from the salon looking like little orphan Annie, so as an alternative to not having to do anything at all, the Cloud Nine wand has proven itself to be a genuine solution to achieving great curls with the least amount of fuss, even on low heat.

Now as for that 2nd day hair… well, I could have done half-up/half-down, but that’s how I wore my hair to school, so screw you 2nd day hair. Instead, I cheated and used an old-skool setting lotion. Take that! No waves for me, these curls lasted until I had to wash the buggers out ha!

Cloud Nine’s The Wand is currently £20 off the usual RRP, priced at £99.95 and available to buy online from cloudninehair.com

* press sample

It’s been brought to my attention by BeautyPulseLondon that the new B. range at Superdrug offers no base products for darker-skintones.  When Natalie first relayed her disappointment, I thought she must have been mistaken – I haven’t seen the products in person myself and simply assumed that a brand who openly boasts…

We’re here to give every woman the knowledge and tools to feel her most beautiful every day*.

Would never make such a ridiculous oversight.

Despite offering an impressive range of no less than five foundation products, the colour swatch shown above (taken directly from their website, HTML Code: #DCB18E) is as dark as it gets from an extremely limited five shade range.

Think on this….

It’s 2013, you’re a dark-skinned woman living in a multi-cultural society that likes to pat itself on the back for its tolerance of diversity and celebration of multi-ethnicity AND YET… AND. YET.  You can’t buy a foundation from one of the biggest and newest cosmetic lines at one of the UK’s largest high street beauty retailers?

Just how long is this bullshit going to continue?

* taken from their about page here

Do you know what I like in a lipstick?  90% pigment.  Precisely what you get from the lipstick that I’m showing you today.

In the Lipstick Queen core lineup, the brand delivers two major formulations, Saint and Sinner.  Saint offers wearable shades, optimum moisture and 10% pigment.  Sinner presents all colour no filler, a formula that grabs you by the balls and says, “Hey, if you don’t wear me… you ain’t got none.” Oh, and 90% pigment.

You see, it’s not that I don’t like sheer lipsticks, it’s just that if I go to the trouble of wearing one, I do like to be able to see it from 400 paces.

Housed in devilish red and black card-backed packaging, the lipstick appears quite unassuming in the tube.  Sure the colour is there but we all know that appearances can be deceptive and that it’s hit or miss as to whether what you see in the bullet translates to the lips.

The Lipstick Queen Sinner line endows a what-you-see-is-what-you- get philosophy… take Bright Rose* for example….

and on the lips…

No shimmer, no gloss, just pure almost-matte colour that belies its creamy formula. The beauty of this formula is that you don’t need to grind the bullet into your lips or apply coat after coat to achieve head-turning pigmentation, it’s just there from the start. Sure, it’s not the most moisturising lipstick in the world but I certainly wouldn’t class it as a lip-cracker, I own (literally) a hundred lipsticks that are less comfortable to wear, it’s just not hydrating than this one.

Longevity is good, around 4/5 hours before it needs a little touch up, sooner if you eat… fade can be a little unflattering, as with most bright lipsticks and is worth keeping in mind.  A beautiful lipstick from an inspiring lipstick designer.

Lipstick Queen Sinner in Bright Rose is available instore and online at SpaceNK, £18.00

* press sample