A Makeup & Beauty Blog – Lipglossiping

Apart from the baby thing, 2014 will forever be known to me as the year of the lipstick.  We’ve been treated to some fantastic lip launches this year haven’t we?  From Estee Lauder’s dreamy Sculpting Lipsticks to Clarins’ Spring Joli Rouges that I literally wore all Summer long… just some of the great examples that I’ve enjoyed over the past nine-months.

Bringing up the rear with another extremely well-formulated lipstick launch is Clinique.  I’ve had the pleasure of trialling their new Long Last Soft Matte Lipstick which launched back in May/June kinda time – sorry for my tardiness but I was busy with that whole “baby thing” I mentioned before.

There are eight shades available in the line-up, ranging from ultra-bold oranges and reds to more demure but equally pigmented nudes.  It’s not the most comprehensive selection but this isn’t a problem for me.  Choice is great… but in all honesty, I’m a terribly indecisive person, choosing a Friday night takeaway practically tips me over the edge.  At least with this range, if I want a red… my mind has been made up for me and I don’t have to examine the ever-so-subtle nuances between ten different shades of crimson.

The packaging is sleek and sophisticated.  It’s heavy enough to feel reassuringly solid in my hands, with a part matte/part glossy exterior and some very tactile ridges.

#45 crimson – #50 beauty – #51 plum

Crimson is a bold red with strong cool undertones that give it vivacity and sparkle but its bold pigment means that you really do need a lip brush to do it justice.  There’s nothing informal about this red, wear it loud and wear it proud!  Beauty is the archetypal my-lips-but-better shade.  A shade that removes all traces of anaemia from my otherwise pasty complexion and injects life with the least amount of effort on my part.  When you don’t know which lipstick to choose in the morning, this is the one your hands would reach for.

Plum is a shade that I haven’t seen very many blogs featuring but I think it’s my favourite of the three!  It’s easily the most vivid plum-shade I own.  It leans purple enough to induce excitement without filling me with the I-can’t-wear-this fear factor.

But most importantly of all, how does the range feel and wear on the lips?

Amazingly well as it happens.  My first instinct was to be completely surprised by how the bullet glides.  There’s an expectation with long-lasting lipsticks of a drier texture, one that drags and skips during application… but not these…. they positively glide over the lips.  I wouldn’t go so far as to call them “buttery” but they’re very smooth and comfortable.

As for how the range wears, well that’s also worth getting excited about because I was able to apply in the morning and still enjoy how the colour looked mid-afternoon.  The pigment does fade after about 4-hours, but it fades evenly and cleanly, leaving a soft stain on the lips.  They’re not the lightest-feeling lipsticks in the world to wear (unlike the Estee Lauder Sculpting Lipsticks, which are frankly made from pixie pee) but neither do they feel heavy or drying on the lips.

Infact, my lips suffered no ill-effects at all from day-long wear, whether I’ll be able to say the same once Winter sets in, time will tell.

#45 crimson – #50 beauty – #51 plum

#51 Plum

Clinique Long Last Soft Matte Lipsticks are priced at £17.00 each and are available to buy on counter or online at clinique.co.uk, boots.com, and other outlets.

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20 years ago, I hot-footed it to my local Our Price (remember them?) to pick-up the soundtrack to Pulp Fiction… on a cassette no less.  I still remember the total cringe of whacking it in the car’s tape player during a journey across France, only to greet my parents with the opening line “Any of you fucking pricks move, and I’ll execute every motherf*cking last one of you!”

To be fair to them, they were pretty cool about it, despite my tender age… and we later pulled in to McDonalds to see if we could order a Royale with Cheese.

Of course, just like any other girl who was lucky enough to be a bonafide teen in the 90s, I had a bit of a girl-crush on Mia Wallace.  The hair (ok, the fringe), the lips and nails, and the coolest way to wear a white shirt ever? Suddenly your school blouse didn’t seem quite so unappealing in the morning.

Urban Decay have recently honed in on Mia’s badass look with their Pulp Fiction Collection, and what started out as a homage to her lipstick and nail polish quickly developed into an entire line-up of products.  The brand gleefully states that one of the perks of creating the collection was simply being able to watch and rewatch the film over and over, all in the name of research, of course.  Sign me up for that job!

The limited edition line-up consists of five products: an eyeshadow palette, Revolution lipstick, 24/7 Glide-On Lip Pencil, Nail Colour, and a Heavy Metal Glitter Eyeliner.  It’s not a straight-down-the-line copy of Mia’s look (she didn’t rock glitter in the film) but UD insist that had she rocked the more sparkly look, this is pretty much the way she would have done it.  Bold claims.

Kicking off with the Eyeshadow Palette (£17.50), the shades are your standard 90s browns.  Despite it containing three brand new UD shades, there’s nothing here that most of us can’t replicate by having a dig through what we already own.  The shades lean to the warm side of the spectrum and mix up the matte/satin texture throughout.  All blend well and are deserving of belonging to the Urban Decay family of equally marvellous eyeshadows.

Having said that, for me… the palette’s lustworthiness comes not from its contents but from the completely superfluous (yet highly desirable) branding.  I mean, who doesn’t want an eyeshadow palette with Bad Motherf*cker quotes on it, I mean… really?

I’m so sorry but I’ve deleted my lipstick pic!  I have the swatch shot though, so I hope you’ll forgive me.

Urban Decay’s 24/7 Glide-On Lip Pencils (£13) are some of my favourite in the world, there’s nothing worse than a hard, dry and draggy lip pencil that takes an age before it warms up.  Urban Decay have the formula on these just right.  Dry enough to give some serious long-lasting coverage but creamy enough to apply with ease.  Mrs. Mia Wallace is a deep red, slightly deeper than the matching lipstick.

Talking of the lipstick, I have to say, it didn’t fully impress.  Compared to the brand’s other Revolution Lipstick (£15) shades and my own, frankly ridiculous, array of reds, Mrs. Mia Wallace (yes, the same name as the pencil) just didn’t capture my heart.  The shade is pretty fabulous and much darker in the bullet than it is once applied to the lips, but unfortunately… I found the texture to be firmer than I’d like.  Of course, this makes for a longer-lasting lip experience… oh so important for the shade in question, but damnit, I demand total lip comfort nowadays.  No compromises.

Perversely, I fell in complete and utter love with the Heavy Metal Glitter Eyeliner in Gunmetal (£14.00).  Of COURSE I DID.  The one item in the collection that, to all intents and purposes, feels a little bit like a “quick, let’s make some more money from this movie tie-in” product that the rest.  Honestly, if you’re a lady of a certain age (i.e. over 25) and feel a little bit foolish rocking the glitter (but secretly still want to)…. Buy it.  Buy it now.

The clear base locks the glitter particles in place, ensuring absolute minimal fall-out and the sprinkling of black and silver sparkles deliver a more understated glitz that really amps up a night-time look without throwing it into ABBA category.

And finally, we come to the nails…

For me, it was always going to be pretty hard for Urban Decay to pull off this part of the collection.  I mean, in my mind… you’d have to prise Chanel’s Rouge Noir out of Mia’s cold, dead fingers before she’d relinquish that baby.  The Nail Colour (£10) is a deep red that lacks the vampiness of Rouge Noir but does through in some gold glimmer to the formula.  Not enough to make it sparkle (unless you’re in direct sunlight, angling your nails 10 degrees to the east) but just enough to add another dimension and a glassy (jewelled?) kinda finish.  I like it, a lot but it’s not quite Mia Wallace to me!

Ultimately, the collection both sinks and swims.  Urban Decay have styled it beautifully… the glossy noir packaging with badass quotes and eye-catching headers, the Mia Wallace “get the look” insert… it all makes for a covetable release for the U.S. brand.  The products contained beneath the hype range from the great to the average, not one of them is a dud… but many are ultimately completely dupable.  Does that matter?  It depends on how much you love that Pulp Fiction styling.

Me? I’m a sucker for it.

The limited-edition Pulp Fiction collection is available on-counter at Debenhams and House of Fraser with prices starting from £10.  You can also find it online at feelunique.com.

* press sample

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When it comes to my current beauty routine, I’m sorry to admit that painting my nails is about as intense as it gets.  I’m still struggling to find “me” underneath all this baby stuff, not that I mind… it’s just that everything else seems so much more… not important per se, but… urgent, at least.  I was able to put aside some beauty and blogging time when Leila was born.  Back then, I lived with Mum and Dad, and Paul wasn’t on a constant deadline… plus, I guess I didn’t have another kid to invest my time laughing with.  It’s been an odd few months… simultaneously both easier and tougher than the first time around.

Anyway… back to the pretty polish.  I’ll save my blatherings, perhaps for another day.

Revlon have recently released a range of gel-effect nail polishes into the UK market.  The shade selection is huge, 30 colours in total alongside a diamond top coat.  There’s a lot of these gel-effect polishes around, jumping on the buzz-word bandwagon, but what do they actually offer above and beyond a normal nail polish?

Well, in this case Revlon promises: brilliant colour, gel-shine and long lasting wear.  But does it deliver?

Revlon Colorstay Gel Envy – #100 Cardshark

The formula, in my opinion, isn’t the easiest to work with.  It’s fairly thin but well-pigmented and has a tendency to pool at the edges if you overload the brush.  Working with thin layers is your best bet, even at the expense of having to apply another coat to achieve an opaque finish.

Having said that, the formula isn’t without merit because it self-levels as it dries, ensuring a neater overall look.  This makes it especially kind to those of us with ridges, flakes, and any other imperfections that may show through a freshly-painted nail.  The finish is lovely, intensely shiny and smooth… in terms of how it looks, there’s no need to add any kind of top-coat.

Revlon Colorstay Gel Envy – #210 Casino Lights

I’ve already mentioned the rich pigmentation delivered by the Revlon Colorstay Gel Envy range and nowhere was this more apparent than in #210 Casino Lights, a lemon yellow that dispenses with the classic yellow-polish-streakiness completely on the third coat.  Yellows are notoriously hard to work with, and this one was easier than most.

As for wear, I can’t comment on how it fares with the addition of the Revlon Diamond Top Coat… but worn naked, they did well.  I reached day 5 with minimal tip wear and no chipping.

Have you tried these yet?

The Revlon Colorstay Gel Envy range is priced at £6.99 a-piece, available insore and online at Boots.com

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If you haven’t yet found an Agent Provocateur fragrance that you’ve liked, things are (probably) about to change.  The release of Agent Provocateur Fatale heralds a more mainstream approach from the lingerie brand who have thus far been known for their slightly quirkier take on perfumery.

I’ll begin this review by putting my hands up and admitting to being a die-hard fan of the original pink-bottled Agent Provocateur in all it’s rose-tinted skankiness. From the off, Fatale has its work cut out, at least for me, to live up to the original.

This sense of departure, of exploring new ground, is immediately apparent in the packaging design.  Gone are the hand-grenade ‘fume bombs of old… goodbye to opaque containers and hello to crystal-cut clarity and what amounts to a showier centrepiece.  It seems a shame to muddy the waters of what is such a striking and instantly recognisable part of the brand’s identity, but hey… what do I know?

As much as Agent Provocateur may want their latest femme to be of the “fatale” variety, my nose finds her a little too playful to live up to Hollywood’s benchmarks of Phyllis Dietrichson and Cora Smith.  It’s true that Fatale is seductive… I mean, if Agent Provocateur know how to do one thing well, it *is* the art of seduction, after all…. but with this latest release, I’m missing the deceptive kickback, the surprise that waits patiently in the wings.

Upon first spray, the powerful blend of blackcurrant and patchouli is brought to the fore – a combination that proves to be a heady, exotic pairing with a juiciness that retains the essence of youth.  A scent best-suited for the cooler weather, its inherent warmth springs forth from the sensual musk that lingers many hours after initial application.  There’s also a slight bitterness omnipresent throughout, gently tempered by the creamy gardenia… it has the same affect on me as how a well-made tiramisu might still appeal to a coffee-hater.

For me, Agent Provocateur Fatale is all about the slow smoulder… its gourmand hints of chocolate are to thank for an endurance that ensures a magnetic personality.  It is… at least, reassuringly addictive.  Though it may not be my favourite AP release to date, I can’t help but return to my wrists for just. one. more. sniff.  What it lacks in old-skool glamour, it makes up for in charm.

Agent Provocateur Fatale is available in 30ml, 50ml, and 100ml – priced from £36.00.  Buy instore or online from Debenhams, John Lewis, and Escentual.com

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When Joe was born, I received a couple of products from Childs Farm – a brand that specialises in toiletries for little ones. I wouldn’t usually blog about children’s products, I mean… I’m not entirely sure how many of you would appreciate a foray into mummy-blogging, I actually started Lipglossiping to get *away* from being a Mummy for five-minutes!  Having said that, and the reason that I’m even talking to you about this range is because, well… I’ve stolen something from the range for myself.

The first thing you’ll notice about Childs Farm products is the delightful packaging, full of playfulness and colour that gives a hint to what awaits you inside.  The labels depict real animals and ponies that actually live on Childs Farm,  the Hampshire home of the brand’s owner, Joanna.

The products have been formulated to be as natural as possible and are free from parabens, SLS, mineral oils, and artificial colours rendering them suitable from newborn-age upwards.  The scents are blended beautifully and elaborate on the brand’s styling with funky fusions: the strawberry mint shampoo is summer in a bottle.  And this is partially why I’ve stolen it for myself.

The other reason is that I’m now 3-months post-partum and that lovely pregnancy mane that took 9 months to thicken is shedding in tear-inducing handfuls.  Everytime I change a nappy, wipe a stinky fist, or unload the washing machine… I’m met with strands of my hair.  They get everywhere!  It’s with this in mind that I’ve been reaching for this gentler shampoo… and also the reason why, when I noticed the brand was currently on offer in Boots, I popped in to restock and grab the detangler spray!

Now, where’s that candy?  I feel like stealing something else from my babies…

Childs Farm products are currently on 3for2 and are available to purchase instore and online at boots.com, priced from £3.99 each.

* press sample

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With both a 5-year old and a 12-week old baby, time to myself is the most precious commodity in my life. When Leila was born, I treasured my daughter’s nap-times and would use them to invest in some quality pampering time. I knew that I could have been spending those precious hours catching up on lost sleep but to this day, I believe that taking the time to spoil myself was the key to preserving some normality in a newly-changed life.

This time around, my time is even more compressed. If Joe is napping, I tend to spend any spare moments with Leila. I miss not being able to spend so much one-on-one time with her and we’ve developed a new-found addiction to making loom-bands!

That being said, I have sorely missed the time to myself and I won’t deny that it’s taken its toll on my well-being. I’m sure that I’m not the only Mum to experience this but honestly? I feel less attractive, scruffier and not so well “put together” without my usual beauty routine. Superficial as this may seem on the surface, it really impacts on my confidence daily.

When I first saw Sali Hughes’ new videos for Clarins, I was inspired. I’ve been around the beauty scene long enough to know how to do a 5, 10, or 15-minute look… but it was only when I saw how beautifully polished she looked in such a short amount of time, that I realised I needed to get back into the game!

I decided to sit down and work out exactly which parts of my beauty routine were most important to me. What did I need to focus my limited amount of time on perfecting? My complexion? Concealing my tiredness? Or perhaps just introducing some much-need colour to my face? For me, it’s all about good skin and luminosity… I’ve always been crazy for a glowy, radiant look but without compromising on a decent base upon which to build it.

Clarins sent me a few products to see if I could use Sali’s videos as a starting point and tailor my own time-saving routine.

I separated the “essentials”… the items I knew I couldn’t leave the house without. Mascara, eyeliner (liquid is my preferred choice), and a base product. Then I got to work on the luminosity aspect of my look.

I ended up with a stripped-back list of products, nine in total. A routine that I hoped would balance the time I had available without compromising on creating a polished “me” that would improve my confidence at the school gates in the morning.

I also had one more set of criteria up my sleeve. No brushes. In the mornings, I don’t have time to spot-clean brushes, that kind of luxury is a weekend-only deal. Could I do it with only the tools provided and my fingers? I had about 10-minutes to find out!

On a freshly-moisturised face, I started with a small amount of Clarins Instant Smooth Perfecting Touch, a pore-filling primer that gives your make-up a headstart. If your base is right, you’ll be surprised at the much-improved performance of your subsequent products. I dotted the primer onto my troublesome areas, around my nose and across my cheeks before blending with a clean finger.

Next up, faking some luminosity. I turned to the brand’s new Instant Light Radiance Boosting Complexion Base in 02 Champagne for some help. The yellow tone neutralized the ruddiness in my complexion whilst simultaneously illuminating and brightening. I concentrated my application across my t-zone for a more natural glow.

BB Creams are a firm favourite of mine and the Clarins BB Skin Perfecting Cream also delivers a generous SPF25, plenty of protection for a standard day spent running the odd errand. I found the formula non-greasy without accentuating any dry patches and it worked well to unify my skin-tone. It also applied nicely using just my fingers.

Finally, in my quest for complexion perfection, I turned to Clarins Instant Concealer … more out of necessity than choice. My under-eye circles have packed their bags and they’re ready to move out! This concealer blends beautifully with a light texture that doesn’t sacrifice great camouflage or sit in my fine lines.

Base done… next, on to colour.

Clarins Multi-Blush in 04 Rosewood is a product I was already familiar with. It’s a cream blush that blends better than most with a slightly drier texture that melts into the skin, imparting a natural flush without mattifying my cheeks.

I was unsure about what to do with my eyes… I knew that in 10-minutes, I’d be limited to a single shade and was tempted to go without eye-shadow altogether. In the end, I opted for a quick sweep of Ombre Minérale Eyeshadow in 08 Taupe, you know I can never resist a taupe! Using the sponge-tipped applicator provided, it barely added 20-seconds to my routine.

To define my eyes, I pressed the brand’s innovative 3-Dot Liner into my lashes and because I wasn’t concentrating on creating a flick or drawing a hard, graphic line, I didn’t need to go back in with a damp q-tip to correct mistakes. There weren’t any!

The final product for the eyes was mascara, I can’t leave home without it! Clarins Be Long Mascara increases length and creates further definition with an easy-to-use small brush that reaches every lash.

The final flourish to complete the look was a quick swipe of Clarins Instant Light Natural Lip Perfector in 05 Candy Shimmer. This gave a gentle flush of low-maintenance pink that reflects light and further served to brighten my complexion.

And the final result?

Glowy and polished! Ok, so it’s not a cutting-edge look but… you know what? It’s exactly what Clarins promised.

It’s a “you, only better” look. And that’s just what this new Mum with no time for anything more adventurous ordered!

* sponsored post

Clinique are all about the chub nowadays aren’t they?  All of the chub, all of the time.  Chubby lips, chubby eyes, and now chubby cheeks.  Of course, they should have started with the cheeks really… I mean, whoever heard of chubby lips anyway?

The Chubby Stick Cheek Colour Balms are a continuation of the rest of the chubby family, perfect for on-the-go application and chucking in a weekend bag.  There are presently only four shades in the range, but there’s enough variation that it should be easy to choose the right one for you.

The Chubby Stick’s domed tip glides effortlessly across the cheek, delivering a well-sized stroke of colour with good pigment from just a single swipe.  Once applied, the cream formula is easily blended with either your fingertips or a brush.  I prefer to initially blend for placement with a clean finger before ensuring that the edges are smooth with my foundation brush.

Despite the aforementioned cream formula, the sticks are holding up well during our current heatwave and showing no signs of quality degradation, sweating or any other unfortunate things that makeup can do at this time of year.  The formula is second-to-none – it feels only creamy, never greasy and despite being oil-free, there’s no streaking or dragging on the skin.  The blush delivers a fresh, glowy look that flatters my skin without emphasising my pores or exacerbating my dryness.

The four shades swatched above are as follows:

Robust Rhubarb – a pretty coral
Amp’d Up Apple – a tawny rose
Roly Poly Rosy – a vibrant, warm pink
Plumped Up Peony – a deep plum

In the shot below, I’m wearing Roly Poly Rosy to complement my lipstick, also by Clinique (Chubby Stick Intense in Plushest Punch).

Clinique Chubby Stick Cheek Colour Balms are priced at £19 each, available online now from clinique.co.uk and in stores from 1st August 2014

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I don’t usually post videos but there was something about this short from Penhaligons to introduce their new gentlemen’s Bayolea grooming range that brought a smile to my lips.  It’s cute and a little bit quirky, not unlike the brand themselves.

To be honest, I have a vested interest in Mr. L’s grooming routine. He’s a man of few products but most of what he does use, he’s been coerced into buying, not because he loves them, but because I do.  Control freak much?

I’m a sucker for “masculine” scents and as a die-hard wet shaver, he wears them so well.  At Christmas, I always buy him a little scented-something as one of his stocking fillers (last year he got Pour un Homme de Caron) and then I’m relentless… nagging him to hurry up and wear it.

I realise that I sound like a terrible bully, I *do* let him choose too… but in honesty, our tastes are so similar that we mostly just share our collection.  Not to mention, it makes those $90 Parfum d’Empire purchases so much more palatable when you’re sharing the cost too!

Do you have any say in your husband’s/partner’s fragrance choices?

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The guys over at Mont Bleu have invited me to take part in a little design competition for their range of luxury crystal nail files.  The eventual winner will see their nail file design incorporated into the Mont Bleu catalogue, they will also receive a whole bunch of newly-designed files to giveaway on their blog, and a mosaic picture from crystals. It’s all about those bragging rights!

I’ve designed three nail file motifs, each of which completely addled my talent-free brain. I’ve kept the backgrounds transparent simply because I preferred the clean look – each time I added a gradient or colour, it all got a bit too busy for my tastes.

I don’t think the designs really need any indepth description, they don’t hold secret meaning… I just played around until I liked what I saw.

None of these designs have been named yet, infact… that’s where you come in…

Please vote for your favourite design (the winner from YOUR votes gets entered into the competition) and if you wish, leave a potential name for the design in the comments.  I will choose one of your suggestions to name the winning design before submitting it to Mont Bleu for consideration by their design team.  All in all, a joint blog/reader effort!

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The poll closes at midnight on the 31st July.  Get voting and don’t forget to give your favourite design a name!

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In 1993, I turned 12. I was in my second year of secondary school and fully in love with Evan Dando. Prince changed his name to something unpronounceable, Myst was released on MAC OS, and Teletext launched on ITV & C4.

Aside from all that excitement, 1993 was also the year that Jean Paul Gaultier released his eponymous Classique fragrance… an iconic scent in an even-more-iconic bottle.

Roll forward 21-years and Prince is still rocking-out venues worldwide. Teletext, however, has since been banished to the sands of time (who else misses Bamboozle?). It seems the secret of longevity, may be reinvention… Prince knows it and you can be sure that Jean Paul Gaultier knows it too, which is why this Summer marks the launch of Jean Paul Gaultier Classique Intense.

Francis Kurkdjian is the nose behind this (re)creation, and with a belief that the original should be more than simply honoured, the perfumer has remained faithful to its precursor with an indisputable air of femininity, overwhelming sense of decadence, and signature sensuality. Infact, it is said that the new Jean Paul Gaultier Classique Intense musters 40% completely original composition. The remaining 60% injects the flanker with a little of Kurkdjian’s magic touch.

Perhaps it’s the OCD in me but I do so enjoy a themed collection.  A place for everything and everything in its place and all that.  No silly shade numbers o’ randomness that don’t mean anything to anyone.  Oh no! Revlon have got it very right with their geographically-themed latest product release.

The Revlon ColorStay Moisture Stain launch features a 12-strong collection of lip colours that embrace a gel-stain hybrid texture with a moisturising formula and a high-pigment finish.  The formula has been infused with Vitamin E and Aloe, those stalwart ingredients of the hydration team, making for comfortable day-long wear that leaves your lips feeling nourished.

Each shade claims its own playful colour personality, with shades named after some of the most iconic cities around the globe: Cannes Crush, Miami Fever, Rio Rush, and Parisian Passion to name but a few.

I’ve got my hands on the Hispanic delegate of the collection: Barcelona Nights – probably best described as a berry pink with slight purple undertones.

The packaging is great, in all its chunky squared-off glory.  There’s nothing pretentious here, it’s simply solid and tactile in a spiky kind of way.  As you draw the applicator wand out of the tube, there’s a certain degree of resistance… the sort of pause that makes you worry the applicator will release from the bottle-neck with a pop, spraying you with lip stain – like a badly-behaved yoghurt pot.  Infact, I’m still not convinced that it won’t, so take care when wriggling the wand free from its constraints.

Having said that, the tight-fit ensures that your applicator isn’t drowned in lip gloop – infact, it dispenses just about the perfect amount onto the tip of the sponge.

The shade is vibrant and semi-sheer (though buildable), allowing the natural texture of your lip to show through.  Application is smooth, definitely more like a lipgloss than a liquid lipstick.  It feels a touch “plasticky” when first applied but it’s light enough in texture, thankfully, not to bother me.

I suffer from a visible “line” where product often refuses to adhere toward the inner reaches of my bottom lip… and I experienced it with this, at least… until the product had been given a few moments to fuse/melt from the warmth of my lips.  You need to allow this for a more even finish.

Most importantly, there is no stickiness.  None, or should I say nada.

Wear was fine, not because it was magnificently lingering but because as the colour faded, the stain remained.  For my personal tastes, it’s a little more glossy than I like to wear so I tend to apply, then blot.  Once.  This removes the “slippy” feeling – which is one that I can’t stand and the main reason for my lipgloss aversion – without removing the colour.

Overall, I’ve found it an easy-to-wear, easy-to-apply product… haven’t we all got room for one of those in our makeup bags?

The Revlon Colorstay Moisture Stains are due to launch next month, priced at £7.99 each and available from Boots and Superdrug

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Back in my early twenties, Anna Sui was one of the first brands to ignite my passion for make-up.  I remember my first Anna Sui lipstick clearly, a deep burgundy/wine shade that, if I’m honest, I loved more for the packaging than the colour.  You see, Anna has always known how to enchant beauty lovers with her exquisitely-presented products.  Rich colours, a theme of roses, and an eye for beautiful design captures both the heart and the wallet in an indisputable “I simply MUST HAVE IT” kind of way.

Over the years, the brand’s cosmetic “branch” has been in and out of production but each time the line has been reintroduced, a new generation of beauty geeks have fallen in love with its unrivaled femininity.

With that in mind, I’m not entirely sure that these two palettes* – currently on sale at Escentual – need much in the way of further introduction.  Look at them, they’re bloomin’ gorgeous!

The Anna Sui Eye Color Palette features ten 1.5g pans of colour that range from the glitzy to the more demure.  The shades develop in intensity as you work your way through the palette starting with a frosty white and culminating in a super-sparkly black.

The texture on most of these is quite soft, easily blendable and prone to a little dustiness when loading a brush from the palette.  The pigmentation varies across the ten pans, I’ve tried to keep the swatches below as accurate as possible in terms of colour payoff from a single swipe with a fingertip.

With a primer, the shades wear well but without a sticky base, the sheerer shades do fade quite quickly.  If I had to pick one thing, my favourite aspect of this palette is the delicate smattering of sparkle found in a few of the colours – it’s understated, grown-up glitz that remains nicely on the lid, without any fall-out when combined with the aforementioned eye primer.

Now, onto my personal favourite… the Anna Sui Lip Color Palette!

I mean, who doesn’t need ten different shades of lip colours in one portable package?

The ten shades punch well above their weight with a glossy, almost balm-like formula.  Don’t mistake these for a traditional lipstick texture, I’ve included the photo above to display the “softness” of the formula, which leans more toward a solid lipgloss texture than a liquid lipstick texture.  That last sentence makes more sense in my head than it does on the screen, sorry!

Either way, the colour applied on the lips is fully recognisable from the shade in the palette – it transfers well with the kind of opacity that you’d expect from a well-pigmented gloss and lasts easily to mid-morning.

The Anna Sui Lip & Eye Color Palettes are currently on sale at escentual.com, priced at £14 each instead of the usual £28!  At this price, they represent a true bargain.

* press sample

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