A Makeup & Beauty Blog – Lipglossiping

Hmmm, I only know two Jaspers. One Carrot and one Conran, and I’m pretty sure neither were in mind when Butter London named this polish. The birthstone maybe? But I always thought that was green!

Regardless of where it derives its name from, Jasper is certainly the type of colour I’d usually shy away from… infact, it’s only adorning my fingertips due to the fact that I’ve shop-swatched it for Powder Rooms. I’m not a yellow nail polish kinda girl… perhaps I need a tan to appreicate the effect?!

Butter London’s Jasper is a creamy yellow with a non-too-bright base making it suitable for fingers and toes without looking too… fungal. You could say that it’s a somewhat pastelly number, reminiscent of sun-shades, ice-creams, and all those other lovely things soon to be packed away for the foreseeable future.

Application-wise, it’s on par with most yellows I’ve tried over the years. Patchy at first, developing a full opacity only after 3/4 coats depending on thickness. They’re not the greatest of colours to wear if you’re pernickity about the formula of your polish but this one smoothes out nicely after a wee while.

Butter London Jasper is priced at £11.95 and available to buy online at powderrooms.com

Ambre Gris is the latest addition to my fragrance wardrobe, which by the way, is steadily growing larger than my actual wardrobe. Exposing my horribly shallow heart to you, I will readily admit that I was first enticed to this fragrance because of the bottle.

It’s a thing of beautiful contrasts with its smoky-grey, monolithic-looking flacon, simply labelled yet topped off with an outrageously camp discoball-esque cap. It’s lovely. It feels heavy, like you could bludgeon someone with it should that urge take you. It’s impressive, it makes a statement… and that’s just how I like my perfumes.

Launched in 2008, the notes include: pink pepper, cinnamon, tuberose, immortelle, myrrh, gaïac wood, benzoin, white musks, and ambergris.  On paper it looks like a spicy oriental with a heavy helping of wood and a dusting of sweetness.  In reality… well, that’s mostly accurate.

Opening with a sharp exhalation of pepper, the fragrance delivers a punch of spice with the kind of brusqueness you’d expect from a mean, elderly Aunt.  This isn’t your usual youthful pink pepper, fruity concoction but something with a little more heritage to accentuate its spiky manner.

Before long, the fragrance warms up on the skin and the cinnamon turns sweeter while the tuberose gets down to business knocking away the sharp edges left, right, and centre.  I’m not the world’s biggest fan of tuberose, it’s a note that often leaves me feeling as though I need to come up for air and there is a certain synthetic sickliness to this fragrance that I’m blaming on the tuberose, but thankfully… not enough to require a snorkel.

Up until this point, I like Balmain’s Ambre Gris… but I can’t say that I love it.

All this begins to change roughly twenty minutes after application.  The smoother tones ushered in by the tuberose make way for something warmer and more comforting still.  The scent wears ever more closely to the skin as the vanillic benzoin curls around my wrist and the ambergris imparts a soft, animalic property that tempts me back to my pulse points over and over.  At this point, it feels more like a unisex fragrance but with an inherent sweetness that glazes over the woody notes and gives the scent a gourmand grounding.

It’s less smoky than I’d like, cleaner than I’d want, and sweeter than I’d usually crave but it feels like a bridge between my old perfume-loving tastes and the new.  In that respect, it really does feel like a comfort.  Take Dior’s Hypnotic Poison (my old uber-fav) and throw some curveballs at it.  It’s not as sexy as Hypnotic Poison, nor is it as overachieving… but it is a nice interpretation of a classier, more grown up woody-oriental that keeps its edge and lasts long, long into the night.

Balmain Ambre Gris is priced from £42 for 40ml and is available to buy in-store at John Lewis and online at Escentual.com

Whenever I write a post or a review about a lipgloss, I start it off with the words: “I don’t like lipgloss”. This is an absolute. It cannot be changed.  I don’t like lipgloss, I think it’s a horrible lip-covering that puts me in mind of windy days/sticky lips scenarios…. lipgloss lips that create strands of gloop as the mouth opens and closes, you know what I’m talking about.

For you, as a reader, it means that when I do review a lipgloss… I’m reviewing it because it delivers something that makes it more interesting than your bog-standard tube o’ lip-jizz.

The BareMinerals Marvelous Moxie range… (btw, “marvelous/marvellous”.. you say tomayto, I say tomahto – obviously I’m right and you’re wrong) does deliver something in addition to the norm.  It packs a fair-to-middling amount of lip-plumping goodness in that little tube.  It’s not as good as the old crew mind… do you remember the old Pout Lip plumper that used to feel like you’d actually been punched in the face to achieve the trout pout of your dreams?  Those were the days…

Anyway, Marvelous Moxie contains enough peppermint oil to deliver that satisfying tingle and pleasing fullness to the lip-line.  As I’m getting a wee bit older, I’m appreciating things like this more readily.

The formula is fairly typical though thankfully, not too thick or heavy in texture on the lips.  It spreads nicely and the applicator allows for some precision without overloading the doe-foot tip.

Game Changer is a somewhat cool-toned red, quite dense in its opacity (for a gloss) and will layer up on your lips, building in pigmentation as you apply.  For me, I can’t bear more than a single swipe, so the photos below show just that.  The texture isn’t too bad… it’s tacky but not to the extreme, just enough to ensure some longevity during wear.

If I’m honest, I begrudgingly like it and I’ve reached for it a couple of times in recent weeks.  Usually when I want something to brighten my look without screaming “bold lips” in your face.  That’s not to say that I don’t inevitably end up wiping the back of my hand across my mouth after an hour… but still, I’m always tempted to reapply.

Excuse the fringe…

One coat delivers semi-sheer coverage that, on my pale lips, delivers a fairly impressive amount of pigment.  It’s enough to give a hint to my love of red on those days when I’m not quite feeling brave enough to go the whole hog.  Red lips for wimps?  Absolutely… but with the added benefit of some super-sexy shine and a plumped-up lipline.

Bare Minerals Marvelous Moxie Lipgloss in Game Changer is available to buy online from feelunique.com priced at £12.80

* press sample

I promised a proper review of the Boots No7 Stay Perfect Foundation* that I’ve been practically living in all Summer. I also mentioned about how I’d never in my wildest dreams actually imagined that it would work well on my skintype.

I don’t know about you but there are certain preconceptions I have when I hear the marketing blurb about products. To me, something that is touted as “stay perfect” or “long-lasting” inevitably puts me in mind of a foundation designed for oilier skintypes. At the very least, something that my dry/combination skin would fail to tolerate.

In this instance, I was wrong.

No7 Stay Perfect foundation comes in an impressive range of 17 shades and I, somewhat predictably, was matched to the lightest of these: Calico.  I find Calico to be quite neutral in terms of hue, leaning neither too pink nor too yellow.

The finish is semi-matte and I’m unsure at this moment in time how my skin will tolerate this foundation when Winter comes around.  I’d hypothesise that we may not be quite such good buddies once the dry-flakes settle in for the season but at the moment, whilst my skin is very much “combination”, the No7 Stay Perfect is ticking all the right boxes.

One of the reasons I’m getting on so well with this foundation is down to a slightly unusual reason, the packaging.  In terms of how much product the pump dispenses, for me… it’s perfect.  Now, I don’t know about you… but unless a pump dispenses a ridiculous amount of product, I generally just apply the lot without really thinking about it.  This one dispenses slightly less than the average pump’s worth, but isn’t so meagre that it makes you want to dispense another pump.  For some reason, this makes me really work the product into the skin… stroking and buffing the liquid formula until I achieve what is, quite literally, the perfect amount of coverage for me.

I know that it seems such a strange reason to love a foundation but it wasn’t until I used this that I realised just how much I tend to simply (over)apply whatever is dispensed onto the back of my hand without thinking.

The Boots No7 Stay Perfect foundation gives me enough coverage (I’d class it as sheer/medium) to tone down the redness around my nose without obliterating my natural skin-texture, it evens out most areas without masking natural radiance and most of all, it lasts almost all day without slipping from my nose or chin.  My only caveat with this product is I feel that it has a problem with oxidisation, something I can just about get away with because I’m not particularly heavy-handed during application.

The formula feels lightweight on the skin and pairs beautifully with a silicone-based primer, despite the included SPF.  Infact, this is the first foundation I’ve used that actually makes me want to reach for a primer.  I’ve worn it both with and without but for literally, the first time, I can see a difference in my skin texture when using a primer.  It glides over the top and gives a great impression of minimising some of the pores on my cheeks.  I’m all about cutting out the extra steps during makeup application but I genuinely get a little bit excited when I apply this foundation/primer combo (for the record, I’m using my DHC Velvet Skin Coat primer).

Anyway, enough gushing… I’ve taken my time with this review because I feel strongly about its value as a bloody great foundation.  For me, it’s a bloody great foundation.  It also helps that it doesn’t cost ££££, no?  Slightly bizarrely, I really seem to get on better with high-street foundations than expensive ones.  Good for me, I suppose!

The picture below shows the foundation with a full-face of makeup on top.  No highlighter or light-reflective blush, I’m loving the natural luminosity!  I just hope and pray I’ll still be able to wear this once the weather turns cooler.

Boots No7 Stay Perfect Foundation is available to buy online and instore at Boots, priced at £14.  Have you tried it?

* press sample

A couple of months ago, Boots No7 asked me if I’d like to have a sneak peek at the creation of their new Autumn campaign. Different to most other campaigns from the beauty industry, No7 were keen to strengthen their pledge to ban the use of airbrushing and digital retouching in their campaigns.

The campaign is a two-parter… featuring both print and television. From Thursday, you’ll be able to see the finished TV ad on your screens. An ad which features real women, cast straight from the high-street. There are no professional models, no cheesy story-lines, and NO digital trickery. Just good makeup, great lighting, and some natural beauties relishing their Ta-Dah! moment. Trust me, I saw it all go down!

Creating the backdrops for the shoots – YES! They used actual No7 makeup!

Wardrobe department, who knew how hard it was to match your clothes to your makeup?!

Hello my pretties!

Got foundation?

I got the full experience too!

Sneaking a peek at the shots as they came straight off the camera

As you can imagine, when you’re shooting a campaign which celebrates the ability of makeup to enhance natural beauty without any digital intervention, it’s pretty important that your makeup artist is at the top of their game and Boots No7 enlisted the expert eye of Petros Petrohilos to safely steer them through the minefield of mascara smudges, lipstick-on-teeth disasters, and rogue blemishes. I was amazed at his meticulous attitude to creating the perfect red lip, it was quite something to behold!

Nails were looked after by Rock Beauty creative director (and he of Adele’s Louboutin manicure fame) Mike Pocock… while hair was teased into perfection by New Bond Street super-star, Neil Cornelius. Don’t let his destitute demeanour fool you, this man has bonafide magic fingers.

As for the man behind the camera, well… Boots No7 did something rather clever in their selection of who best to represent their idea of beauty. Abandoning the classic choice of a fashion photographer, the team behind the campaign took a braver route… calling up on the skills of eminent portrait photographer James Mollinson to interpret the essence of the women infront of the lens.

James is well-known for his travelling exploits (there’s a wonderful feature on him that you should watch, here), capturing subjects from across the globe and in this role, his aim was to portray each woman’s “Ta-Dah!” moment. That sense of satisfaction we all feel when our efforts at beautifying ourselves have been successful! Whether it’s the boost of confidence, the spring in our step, or just the knowledge that we won’t scare the children, the “ta-dah!” moment is something I think we can all empathise with.

I’ve got an exclusive preview on the print images below… how do you think James did with capturing these beautiful ladies?

Aren’t they stunning? What do you think? Do these shots speak “portrait” more than “beauty shoot” to you? I love how the backdrops tone perfectly with the makeup.

The second part of the campaign involved creating a TV ad. The creative agency called upon director Ian Bonhôte to translate the campaign to the moving image and once again, I was invited along to skulk around in the background, soaking up the atmosphere. The studios in North London were hot. Hotter than hell thanks to last month’s heatwave and although I didn’t arrive until mid-afternoon, the crew had been there since 6am with the day still stretching out well ahead of them.

I sneaked a peek of the storyboard which, as you can see (below), mirrors the print campaign in terms of “model” and backdrop… again, there’s nothing fancy here. Just great makeup on great faces. Continuity was key and with extreme closeups of eyes and lips, the camera had to be operated by remote control… even the tiniest of nudges would have ruined the focus and the entire shot!

Concentration was paramount and from an observer’s point of view, it looked like a well-oiled machine, capturing and arranging shots that would only later make sense once placed into the right sequences. Well-organised chaos would be another term for it!

I haven’t seen the finished advert yet (which will air from tomorrow on Boot’s Facebook page and on TV on Thursday) but I’m excited to see how it all comes together.

Part of the storyboard for the TV ad

On set

The cross-hairs ensure absolute continuity for the next scene

It looked HOT under those lights!

Behind the scenes

I did a lot of peeking over people’s shoulders!

The director checks over the shot

If you want to be one of the first to view the new ad campaign, be sure to check in on the No7 Facebook page later on today where they’ll be previewing it exclusively for fans.

I love wearing warm colours on my cool skintone.  They impart a sense of vitality and freshness that I just don’t get from my more traditional cool-toned favourites.  It can be tricky to paint a “cool” face with “warm” colours and unless you’re also blessed with plenty of freckles and red hair, there can be an immediate juxtaposition between face and hair/face and makeup.  I must admit that I generally only go for a warm face when I’m having a good skin day (which I wasn’t!).  The creamier my complexion (read: less ruddy), the more success I have with painting a warmer canvas.

When I first started wearing makeup, I adored all warm-toned eyeshadows… gold being the pinnacle of that adoration.  Infact, I still have so many beautiful gilded shades that just don’t see much love because as I’ve gotten older, the redness in my complexion has increased and I’m less concerned about making my blue/green eyes “pop” against the shadow and more concerned about not looking like I have a drinking problem.

I find that nowadays, if I do go for a wamer look, I tend to stick to soft peaches (never apricot), guavas, and rose-gold.  Anything that has a slightly pink base is a winner… it can be shot through with a ton of golden sparkle just so long as it has that complimentary base.  Orange and brown-toned golds rarely wear well though I love a good champagne-gold (think NARS Albatross/MAC Femme-Fi).

I’m completely in love with Boots No7 Stay Perfect Foundation* (I’m shade Calico – link) at the moment.  I’m a late-comer to this one and assumed that it would be too drying on my combo/dry and dehydrated skin… most things that claim any kind of longevity, usually are.  I find that aslong as I’m well-moisturised (which I always am anyway), I can wear this one without exacerbating any flakiness.  I haven’t tried it in the Winter yet… but I’ve been wearing this around 70% of the time since mid-June and it delivers a confidence-boosting super-smooth look if I wear it with a primer underneath. I didn’t wear a primer in the photos below because it was ridiculously hot yesterday and I just wasn’t up for all those layers!

One of the reasons that I’m loving it (and it seems like the faintest of praise) is down to the simple fact that the pump dispenses exactly the perfect amount.  Do not underestimate the power that getting the right amount of coverage can have.  Although I love my lovely Bourjois Healthy Mix, it dispenses far too much and I always have to physically restrain myself from applying the entire pump’s worth.  I’ll try to remember to do a before/after foundation and primer routine with the Stay Perfect soon because it really has been one of those rare “ohhhh SKIN LOOKS GOOOOOOD!” revelations.

Other products included in the FOTD run with the rose-gold theme…

Dainty Doll Cream Blusher 002 – link (or try NARS Deep Throat or Sleek Rose Gold)
MAC Rubenesque Paint Pot – link (or try Laura Mercier Caviar Stick in Rose Gold or Benefit Slippin’ n’ Dippin’)
Laqa & Co Fairyblood Lip Pencil* – link (or try MUA Shade 7 or Avon Ultra Colour Rich Lipstick in Sparkling Warm Rose)
Estee Lauder Intense Kajal Eye Crayon* – discontinued (any black liner will do)
No7 Exceptional Definition Mascara – link (any mascara will do)

Also…. only six products, check me out being all minimalist n’ stuff!  Or that other word for it… lazy.

Are you a Rose Gold fan?

* press sample

There are more silver holos on the market than there are old-enough-to-know-better 1D fans on twitter but Dodgy Barnett is different.  This particular holo-infused polish blurs the lines between silver and grey, leaning more to the understated sophistication of a cool-toned grey than the usual bling of a silver holo.

As you can see, it’s a pretty unassuming polish when worn indoors and in the shade but as with many holos, its true beauty comes alive when you get outside and find a patch of sunlight…

Dodgy Barnett sparkles a multitude of rainbow colours but ultimately keeps that wispy, pastelly grey thing going on… perfect if you’re looking for something sophisticated but with a little something different to show off about!

Butter London’s Dodgy Barnett is priced at £11.95 and available to buy online at PowderRooms.com who are offering 25% off all Butter London products with the code “butter”.  But hurry, today’s the last day to take advantage of the promotion.

* press sample

The 1970s were responsible for many a wonder. Star Wars, the MRI scan, the first black model on cover of a major fashion mag, the Krankies…

Oh.

Wee Jimmy Krankie aside though, let’s face it… the 70s were something to celebrate. Unless you had a box of FAB ice lollies in the freezer during one of the decade’s infamous rolling power cuts. But forgetting all the political shenanigans of the time, what about the D.I.S.C.O? The glitz and glamour of the real Boogie Wonderland?

Well, Benefit are bringing it back thanks to a collaboration with eminent fashion designer, Matthew Williamson.. himself, a child of the 70s. Ladies and… (probably) ladies, I present to you The Rich is Back!*

Of the kit, Matthew Williamson says:

“This is high-octane glam makeup for dressing up to look fabulous & dance the night away!”

Well, not really… is it? I mean, it’s a nice-enough kit… and probably far more sellable as it is than if it were high-octane glam makeup but c’mon Matthew Williamson… in what world would you describe a bunch of neutrals livened up with a teal… a sheer pink lipgloss and nude blush “high-octane”.

It’s not. It’s not really very 70s night-time glamour at all. But then, you’re not really Donna Summer either are you?

So perhaps we should just be thankful that this kit is a bit more wearable than the looks the girls would have been rocking down at Studio 54. Let’s see what you get for your money….

Perhaps, infact… the most glam thing about this set is the packaging itself which can be repurposed as a jewellery case once you take away the makeup tray. I do love brands that do clever stuffs like that, talk about upcycling!

As for the contents, well you get:

• eyeshadow palette 4 x 0.8g Net wt.
• they’re real! mascara, 4.0g Net wt.
• gimme fever cheek powder with brush. 2.0g Net wt.
• lip gloss in inferno 6.5 mL / 0.22 US fl. oz

The eyeshadows are pretty sparkly, as one might expect from a kit dedicated to this era. The champagne shade (Disco Dust) is a really wearable highlight that doesn’t attract any attention in an unflattering way… it simply adds a touch of luminosity rather than any ageing frostiness. Solid Gold is a regular gold, a little sheerer than many but infused with some delicate sparkle that makes this a nice shade to wear all over the lid anytime of the day. Get Down Brown is a bolder choice considering the sheerness of the other shades, this one packs a lot more pigment. Finally, Feel So Teal although lovely to look at does that crappy thing of blending out to grey like many other teals.

Pretty they are, high-octane… they ain’t.

Alongside the eyeshadow selection, you also get a mini They’re Real! mascara… you don’t need to be reminded of my love for this product, but incase you do – the seach box is up there! ^^^

The lipgloss in shade Inferno… is more of a match-strike really. A pretty sheer red infused with plenty of non-gritty glitter but “inferno” might be pusing the trade description act somewhat. Texture of the gloss is nice, non sticky and long-lasting. Trust me, that’s a real compliment coming from this bonafide lipgloss hater.

The final product included in the kit is a Gimme Fever cheek powder with a brush. I’m not sure why they included a brush when there’s no eyeshadow applicators but include one they did. Gimme Fever is probably my favourite item in the kit, it’s a buildable blush-cum-highlighter that will suit a variety of skintones thanks to its neutral tone. On medium and darker skins this will sing as a cheek highlight and for lighter skintones like mine, it will show some of that pigment as a nude blush (again, with sparkle).

I wore it very lightly in my FOTD as I wanted to contour instead and use Gimme Fever to reflect the light.

Here’s how the kit looks when all the products are used together… who says you need to fear the seventies? Embrace the decade!

All in all, it’s a nice kit. I’d say that the packaging belies the contents… it’s a little schizophrenic. Infact, considering the daytime makeup trend in the 70s was pretty understated, I’d say that the light, natural-looking aesthetic (with added sparkle) fits really well within the era. It just doesn’t quite fit with the disco-esque, glammed up sexy night-time packaging and leaves me a little confused as to the designer’s intentions and whether he actually saw the contents of the kit before bestowing those wickedly vibrant prints on the casing.

If you want to get your hands on this one, be quick… it’s a limited edition.

Benefit The Rich is Back Kit is priced at £26.50 and is available to buy instore and online at debenhams.com

* press sample

Just a quickie post to give you a heads up (if you didn’t already see my tweet) about the Love Makeup sale that’s currently ongoing.  There are some real bargains to be had… not those faux 10% off rubbish ones but proper, bonafide, hide-your-purse-before-you-spend-next-month’s-rent extravaganzas.  I was pretty good about it tbh, grabbing a couple of things that I’d wanted for a long time and dipping my toe into waters unknown with a stonking red eyeshadow (I have a weird little “thing” for red eyeshadow).

Anyway, here’s what ended up in my basket, with a couple of swatches thrown in for good measure.  What can I say?  I’m a horrible enabler.

I already own a couple of products from Beaute in the form of one of their Weightless Lip Cremes in Masochist (don’t bother searching, to my shame it’s not been blogged yet) and also the Beauté Liqui-Gel Lip and Cheek Stain in Fluoron which HAS been blogged, and you can read about it here.  To add to my Beaute collection, I picked up the Weightless Lip Creme in Girlina… ever since I saw Bubblegarm modelling it a billion years ago, it’s been on my wishlist.  The other item that has found its way into my lipstick drawer is the Beaute Liqui-Gel Lip and Cheek Stain in Harlot… a rich, blood-red.

I’ve since spoken to Cami on Instagram, who is shamelessly trying to tempt me into going back for the Beaute Liqui-Gel Lip and Cheek Stain in Fever.  I can’t take the pressure!

Going somewhat against my principles, I bought one of the much-lauded Lime Crime Velvetines in Red Velvet… there were too many beautiful swatches on the interne that made me think this could be my ultimate Snow White red… I coudn’t resist the temptation.

And finally, to re-balance the good/evil in this world (you know I’m being overly dramatic again right?), I picked up a stunning, limited edition, sparkly red eyeshadow from Sugarpill.  Isn’t it gorgeous?  Swatches below…

How nice do they all look lined up like that?  I’m in makeup heaven right now.

Anyway, I shall try and do proper reviews in due course… give me a slap if there’s something from the above that you’d really like to see and I’ll keep it out near my PC… if it goes in one of my drawers, chances are… it’s gone FOREVER.  Well, in terms of reviewing promptly!

Have you been tempted into indulging in the Love Makeup sale?  Gotta love a “new makeup buzz”!

Bury me in it.  For long after the blood has ceased to reach my vital organs, Pink Power surely has the might to defibrillate my weary heart back into action and bring me to life again.  Probably.

Ok, so maybe it’s more of a heart-stopping pink than a heart-starting one but either way, you see where I’m coming from with the over-dramatisation of a lipstick.  Basically, it’s a luverly pink with all the rage and sultriness that our Summer has yet to deliver.

It’s not too drying, lasts pretty well through anything except a monsoon (watch out August) or a doughnut (watch out fatty), and has a fairly light texture that belies its price tag.

As for that price tag?  Seventeen Pink Power is a mere snip at only £4.29 from boots.com

What’s your brightest pink and do you fancy owning this one?

A makeup artist once told me that straight men don’t like bold lips. They can feel intimidated by a statement colour and don’t consider these women as “kissable” as their smoky-eyed/nude-lipped counterparts.

Just as well I don’t give a shit then, isn’t it?

Here are five of my most retina-searingly, beautiful pink lipsticks and you’ll be delighted (or at least, you should be, I engineered it this way!) to hear that they’re all under £20.  As much as I do love my Tom Ford Pure Pink, you can get some raging pigment for much, much less moneh.

01: Boots Seventeen Lasting Fix Lipstick in Pink Power

This is my latest pink acquisition and I’ve been reliably informed that it’s a dupe for MAC’s legendary Girl About town.  I won’t “review” it because I’m posting a FOTD with it later… suffice to say, for under a fiver… it’s a bit of a bargain bright! (£4.29, boots.com)

02: Wet n’ Wild Mega Last Lipstick in Don’t Blink Pink

An eBay purchase from last year, this staggeringly intense pink is almost neon and definitely leans a little warmer than the rest, making it quite an unusual shade.  Most of these bright pinks can often be mistaken for fuchsia, so it’s nice to see one that’s a little bit different.  You can see it in a FOTD, here. (£2.80 not inc. shipping, ebay.co.uk)

03: BarryM Lip Paint in #145 Punky Pink

This is another apparent Girl About Town dupe (what is it with that shade!) though I think it’s a wee bit more cherry-toned, slightly deeper than the MAC offering.  A hair more expensive than the Seventeen lipstick but still under a fiver, you can’t go wrong! (£4.49, barrym.com)

04: BarryM Lip Paint in #146 Dolly Pink

Now, I have to admit… I don’t wear this one a huge amount, mostly because it’s one of those lipsticks that like to wear you.  Dolly Pink is a candy-fest that just about has enough depth to keep it a little more classy (haters gonna hate) than the Nicki Minaj, Gaga, shitty pinks that look like you’ve ground a piece of chalk into your lips.  This is as blue-pink as I can go without looking like a revolting caricature of myself.  I’ve even binned MAC Snob. (£4.49, barrym.com)

05. Make Up For Ever Rouge Artist Intense #36 Satin Fuchsia

The most expensive of the bunch but a truly pretty fuchsia that lasts and lasts.  This MUFE offering is part of a huge range that of lipsticks that make me wish I lived closer to a stockist for some serious swatching.  It’s a very clean, bright pink that whitens the teeth and makes the eyes sparkle.  Not a bad makeover for less than twenty quid. (£16.95, gurumakeupemporium.com)

What do you think of my “do not adjust your set” selection of pink lipsticks?  Am I missing any of your favourites?  Let me know in the comments!

Like a four year old with a brand new craft set, I’ve finally gotten to grips with my nail striping tapes that I bought about a million years ago before promptly relegating to the back of a drawer.

You see, when I first applied BarryM’s Gelly polish in Papaya, I didn’t really like it… it’s not quite as “peachy” as I was hoping for, a little too bright against my pale skintone. Especially for a school day.

So, I grabbed a muted green polish and with the help of a few strips of tape, managed to create quite the neatest lines I’ve ever accomplished!  Go me!  This was all a complete fluke you understand, even the fact that the colours kinda go together was not part of a greater master plan.  I simply got lucky.

Doesn’t it look nice though?  If you don’t Pinterest the shit out of it, I’m not talking to any of you again.

Don’t own any nail striping tape?  Oh, you should!!  It’s only taken me a couple of years to get round to using it… I bought mine on eBay.  Next time, I’ll actually try leaving the tape ON the nail… but you know, baby steps…

Are you sporting any nail art at the moment?